headyversion

find the best versions of grateful dead songs

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grendel

Books and Music

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Submissions

19
Satisfaction
Oct. 10, 1982
Frost Amphitheatre

Weir: "We know we aint gonna get no satisfaction but we're gonna give it a try...You can scream& twist & beg & cry!"
71
Let It Grow
May 1, 1981
Hampton Coliseum

Lightning quick yet totally on-track riffs from Jerry; intense, powerful version. Weir 100% into it. Segues into killer Deal. Trust me. Must hear.
51
Tennessee Jed
Oct. 10, 1982
Frost Amphitheatre

Perfect wind up, pitch & strike down the middle. I've yet to hear a better one, though I'll try some of the recs here. Til then.....
29
Goin' Down The Road Feelin' Bad
June 8, 1977
Winterland Arena

From one of the greatest shows ever, a bring the house down killer. Keith w/perfect piano exc. point!
43
Althea
May 1, 1981
Hampton Coliseum

Perfect groove and massive push from Phil post-lyrics
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Comments

The Music Never Stopped
Oct. 16, 1977
Louisiana State U

This was indeed Donna's greatest tune, and this version is as good an example of what she could bring to this tune as any that exists.
China Cat Sunflower -> I Know You Rider
Dec. 29, 1977
Winterland Arena

Rock on, Dannydread...glad we're all enjoying the ride ;-)
Feelin' Groovy Jam
Oct. 2, 1972
Springfield Civic Center

Simply stunning portion of music that's only a little bit of Feelin Groovy but a whole lot of awesome coming out of the NFBM section. One of those just exactly perfect bridges of music that occurs spontaneously and could be done by no one but The Grateful Dead. Way under the radar stuff here that needs more ears.
Eyes Of The World
Nov. 17, 1973
Pauley Pavilion - University of California

Light and airy with a free flowing liquid jazz line throughout, but the bonus, as mentioned, of a really tight outro section. I'm more impressed with this section of the show, with this Eyes as the highlight, than I am with the more popular UJB>Playin section.
Eyes Of The World
Feb. 15, 1973
Dane County Coliseum

I have to agree with Summerraven that while the beginning segments of this version are lovely and flowing and as pretty as any the band has ever performed the outro material really drags and it's understandable, given that this song is barely on its feet live at this point. I'm OK with it being a top 15-20 version but not in the top 10 for that reason.
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