The very definition of "underrated." Almost lost to time& yet it kills. No flubbed verses, great steady reggae jams;perfect transition. Please try it.

Jerry sounds "just like Wolfman Jack" when he growwwlllzzz out the final chorus on "Goodbye Mama & Papa...!" Whole version is aces back to back!

Jerry in especially soulful voice on this completely perfecto version from one of the best shows of '82. If you like 4-6 Spectrum, you'll love this.

My favorite "sandwich" version, this PITB actually begins in the 2nd set as reprise from the previous night! Insane weaving thru UJB/Space/Dew

Goofy stage banter by Bob, then the rippingest, roaringest, best-drummed version I know.

Very well played Help>Slip, and a great intro to Franklin's. Jerry does some interesting work in the FRanklin's outro jam after the last verse. Not crazy about the rest of the Franklin's, however. Jerry blows a bunch of lyrics, doesn't really do much with his solos, and the rest of the band provides little color or adventure in the meat of the Franklin's either. On the fence about an up-vote here, but it's easily one of the better post-Brent versions, but there are so many other versions from other eras that excite more as a whole. Worth checking out at least for the first two sections.

Really impressed with this. Great Bruce contributions on accordion and Vince is filling nicely too. Jer hits all the right vocal intonations and nails the lyrics. Best post-Brenr version by far. Has me ready to listen to the rest of the show.

Totally agree with ^^^^ Great version here, lots of energy from Jerry and a real commitment to the vocals. Excellent box set and run of shows.

Very worthy, at a loss as to why it wasn't already listed. Nice flowing version from one of the great shows of a brilliant month/year.

A+ for emotion, B- for actual playing/singing/execution. Given the glowing comments here I had to check this out & I guess this is my too-critical stance on judging any post '90 version, but I just can't get past 1) Jerry's sad croaky vocals, 2) the sour notes hit during many of the quieter passages before we get to that ripping ending and 3) the fact that I never really warmed to this song, which just seems a bit silly to my ears, with clunky lyrics like "I can see El Salvador", which, I don't know, seems to diminish the actual experience one would have actually "standing on the moon" and viewing the whole of the Earth. Am I overthinking it? Most probably, yes, and I recognize how "you kids get off my lawn!" I must sound in my nitpickery, but this is why latter day Dead leaves me cold. (I still maintain that Built To Last isn't just a shitty Dead album, it's a shitty album period.) However (if anyone is still reading this and hasn't tuned me out yet), I must admit also that the shredding Jerry does near the end of this is really spectacular and stands up to anything he's done in any era, and bringing back the 'be with you" vocal at the tail end of it is a masterful touch. It's all emotion at that juncture, real and pure and no one but Jerry could pull that off in just that way. It's what I suspect gives this version its #1 ranking and I suppose to argue otherwise would be foolish, given that other versions would contain exactly the same flaws that annoyed me in this one, and wouldn't have necessarily that emotional pay off. No upvote here, but an admission that I'm probably missing something that the rest of you are getting loud and clear.