One of the earliest live versions ever and boy oh boy is Jerry into it. Belts out the lyrics. Quick tempo & a real joy to hear!

Weird how little folks seem to care at all about this tune. I love it & Brent does the Neville Bros. proud w/this version--as good as it gets.

First there were only AUDs available, but now that a sweet CM SBD is up you oughta check out this sweet '78!

Rippingly good early version with Keith way out front. Jerry and the whole crew rock it hard!

Great cadence to this one and some cool reverb effects lend a trippy mesmerizing feel to this fine entry from the Fox. Get the CM SBD source.

After further review, this is the best one right here. Short but oh so funky. Just the slink-funk opening before they even sing a word is filthy. Great fun, solid, spot-on rendition. Hard to beat.

I'm convinced. Not the biggest fan of '74 WOS shows (mostly due to the tinny sound of the vocals from the mics they used) but this one is damn near flawless. Jerry is fully committed vocally and the mics take nothing away from his impassioned reading. Four star version with a power-jam-fanning ending.

Upping this because yes indeed, about 3/4 of the way in, the second jam section gets a groovy, faster-tempo version of the "Nobody's Fault" jam going and it is for certain that tune. Very cool. Nice gritty guitar intro to this one as well. Does not ultimately rock as hard as the incredible versions from the year before but while being slightly more mellow in the jamming this one is nevertheless always interesting and with the Nobody's Jam you can hear the seeds of experimentation with themes that would become even more pronounced and varied in 1979 (see 11/2/79 for a great example; '79 was probably the most underrated year of NFA ever.) This one also sounds better than ever in the July '78 box and really should be higher.

Yes, yes, and yes again. I'd say more but all I know is it needs to have at least 20 votes & is somehow not there yet.

The new Betty Board box set of July '78 gives this version the clean sounding spotlight it so desperately needed and deserved. Even among the scores of A+ versions of this tune (one they consistently did well in virtually all eras) this stands out for its extended, intricate, Garcia solo, slightly faster tempo, impassioned vocals and overall excellence. Should climb the ladder, and fast,