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grendel

Books and Music

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Submissions

130
Wharf Rat
Oct. 7, 1977
University of New Mexico

Most pristine version I've ever heard. So smooth, so clear. Keith leads the way, Jerry brings it home. . Essential for all Wharf Rat fans
18
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Another kick-ass version out of Space...not as long&rising a wind-up as the 9-14-82 tripiness), but raucous, fun & full of N'awlins cajun rock!
36
Cold Rain and Snow
Oct. 12, 1983
Madison Square Garden

Powerhouse. Garcia belts out vocals. Hear amazing riff of added notes in the main theme instrumental sections.Drums pound away as well.
7
Brown Eyed Women
Nov. 29, 1979
Cleveland Public Hall

Jerry commits strong vocals to this rendition--he's into it big time...& Brent adds great accompaniment. Very strong Garcia bridge jam as well.
118
Cumberland Blues
April 8, 1972
Wembley Empire Pool

They could actually hit the high notes in '72, and the jams? Goodness gracious--this one just rips a hole in the space/time continuum!

Comments

Samson and Delilah
Oct. 4, 1981
Rainbow Theater

"This bein' Sunday we thought we'd do a spiritual number." -Bob Typically hot, Brent-heavy '81 magic here.
Scarlet Begonias -> Fire On The Mountain
March 22, 1990
Copps Coliseum

^^^^ That's the best description I've heard of this and explains even more than the MIDI why I don't care much for it. You're right, this version never pauses for air, everything's packed in like sausage meat and it while it has plenty of propulsion it definitely lacks in flow, subtlety and nuance. To each his own, of course. I understand the high ratings to a certain extent, but it's all too technical-sounding to me.
Fire On The Mountain
Nov. 24, 1978
Capitol Theatre

Revisiting this old classic recently brought a new level of appreciation. Quick side detour that back in the day I had this show on a 3-LP bootleg album that I THINK (memory not being my strong suit) was called "For Dead Heads Only" and I wore it out. (If anyone else had this LP and can corroborate this as the title please let me know). There were no liner notes or any explanation as to why Jerry's voice was so raspy and damn near full blown laryngitis on "fire", but I realized a few things hearing this again: 1) The band nails this stand-alone (coming out of Olin Arageed); 2) the relaxed tempo was letter perfect, and 3) Jerry commits heartily to this version in spite of his voice, which could have had him dropping out entirely. Instead you can hear him trying valiantly to push through his weakened vocal chord issues and his effort makes it a more poignant, heartfelt version than many others. This is also around the time they had just added the middle verse to the tune ("almost ablaze still you don't feel the heat"), none of the '77 versions having that extra lyric to contend with, and Jer nails it, again, pushing aside as best he can a serious bronchial condition that would eventually cancel at least one later date on the tour. This "Fire" will always have a soft spot in my heart as a result, but it deserves more than just pity points...it's actually quite worthy even with Jerry's vocal disadvantages.
To Lay Me Down
June 23, 1974
Jai-Alai Fronton

OK, but I am calling 9-18-74 better than this one. Although this one is very very good.
Not Fade Away
Dec. 11, 1979
Soldiers & Sailors Memorial Hall

This is almost a grunge-funk version. Slinky. Slow, but funkified. Nasty. Brent just lets loose on this, too. Check out what he does on intro. '79 has some the coolest NFA's ever...and maybe the last truly great year for the tune before it became a throw-away clap-clap-Bop-Bop-fest in the 80's. This is a short version, btw, but that shouldn't be held against it. They pack a ton of fun into that short space.