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grendel

Books and Music

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Submissions

41
Sugar Magnolia
Oct. 29, 1977
Evans Field House, Northern Illinois University

Best ever. No fooling. Don't miss Mickey and Billy dueling each other at the frenzied end jam before heading into SSDD. Whole version insane!
80
Jack Straw
Oct. 20, 1984
Carrier Dome, Syracuse U

Crazy hard driving insanisty to end the first set. One of those jam segments that builds and builds and KABOOMS into final verse. Phil fans: a must
15
Stella Blue
April 19, 1982
Baltimore Civic Center

Sweet & melty....gorgeous harmonies from Brent.
88
Sugaree
Oct. 16, 1977
Louisiana State U

1977 was a helluva year for this song. I have no quarrel w/ 5/5, 5/19, or 5/21, but I think this one beats 'em all by a nose!
53
St. Stephen
Oct. 29, 1977
Evans Field House, Northern Illinois University

With all due rfespect to Barton Hall & others, this is the best version out there (IMO). Bluesy, rockin', jammin', just exactly perfect

Comments

Samson and Delilah
Oct. 4, 1981
Rainbow Theater

"This bein' Sunday we thought we'd do a spiritual number." -Bob Typically hot, Brent-heavy '81 magic here.
Scarlet Begonias -> Fire On The Mountain
March 22, 1990
Copps Coliseum

^^^^ That's the best description I've heard of this and explains even more than the MIDI why I don't care much for it. You're right, this version never pauses for air, everything's packed in like sausage meat and it while it has plenty of propulsion it definitely lacks in flow, subtlety and nuance. To each his own, of course. I understand the high ratings to a certain extent, but it's all too technical-sounding to me.
Fire On The Mountain
Nov. 24, 1978
Capitol Theatre

Revisiting this old classic recently brought a new level of appreciation. Quick side detour that back in the day I had this show on a 3-LP bootleg album that I THINK (memory not being my strong suit) was called "For Dead Heads Only" and I wore it out. (If anyone else had this LP and can corroborate this as the title please let me know). There were no liner notes or any explanation as to why Jerry's voice was so raspy and damn near full blown laryngitis on "fire", but I realized a few things hearing this again: 1) The band nails this stand-alone (coming out of Olin Arageed); 2) the relaxed tempo was letter perfect, and 3) Jerry commits heartily to this version in spite of his voice, which could have had him dropping out entirely. Instead you can hear him trying valiantly to push through his weakened vocal chord issues and his effort makes it a more poignant, heartfelt version than many others. This is also around the time they had just added the middle verse to the tune ("almost ablaze still you don't feel the heat"), none of the '77 versions having that extra lyric to contend with, and Jer nails it, again, pushing aside as best he can a serious bronchial condition that would eventually cancel at least one later date on the tour. This "Fire" will always have a soft spot in my heart as a result, but it deserves more than just pity points...it's actually quite worthy even with Jerry's vocal disadvantages.
To Lay Me Down
June 23, 1974
Jai-Alai Fronton

OK, but I am calling 9-18-74 better than this one. Although this one is very very good.
Not Fade Away
Dec. 11, 1979
Soldiers & Sailors Memorial Hall

This is almost a grunge-funk version. Slinky. Slow, but funkified. Nasty. Brent just lets loose on this, too. Check out what he does on intro. '79 has some the coolest NFA's ever...and maybe the last truly great year for the tune before it became a throw-away clap-clap-Bop-Bop-fest in the 80's. This is a short version, btw, but that shouldn't be held against it. They pack a ton of fun into that short space.