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find the best versions of grateful dead songs

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grendel

Books and Music

+23519


Submissions

10
Beat it on Down The Line
March 22, 1990
Copps Coliseum

A breezy bouncin' bubbly Bobby Beat it...best of the 90's.
8
El Paso
March 27, 1972
Academy of Music

Jerry in serious bluegrass mode. Most country-westernized version ever. At the end Phil sez "Thanks, Texans" even tho' they're in NYC. Awesome version
22
Let It Grow
Sept. 19, 1990
Madison Square Garden

Hornsby gets on board in a big way & Jerry jazzes up the jam sections. Weir slashes away & sings w/passion. Strong candidate for Best of the 90's.
3
Desolation Row
April 17, 1987
Irvine Meadows

This song was only as good as Bobby was committed to it, and on this night he was 100% in Dylan-idoling mode. Gorgeous rendeition, lovingly sung.
9
Goin' Down The Road Feelin' Bad
May 13, 1977
Auditorium Theatre

Almost beyond description. The last full jam leading into the GDTR chorus is a perfect storm example of what made the Dead magic

Comments

Playin' In The Band
May 13, 1978
The Spectrum

Maybe it's because '78 is not known as a stand-out year for this tune, but just two votes w/mine added is puzzling! If you bypass this version--and show in general--you're missing out on a sleeper gem. Jerry does some "out of left field" riffing near the homestretch of this nicely stretched out jazz offering...w/some fittingly edgy attitude thrown in given the venue. Worth a listen or 2.
Let It Grow
May 1, 1981
Hampton Coliseum

^^^^ Much obliged
Let It Grow
May 1, 1981
Hampton Coliseum

What is everyone's favorite version of this show for best audio quality? (I usually go w/Jim Wise AUD but if there's something newer that sounds even better lemme know)
Loose Lucy
Sept. 21, 1974
Palais Des Sports

yeah not sure why this one doesn't get more love...halfway between the brisk readings of this period and the slower funk grease versions--w/an edge to the speedier side but also in control & w/some nice & boppy lines & Jer clearly having fun...he even (mostly) gets the words right. Better chorus background vox from donna than in many other versions from this time
The Other One
Feb. 23, 1974
Winterland Arena

There's the ubiquitous '74 style dissonant space jam section, which to me is nowhere near the highlight, but there's also the sly reading of the prototype slipknot jam and beyond that an outstanding exploration over all sorts of jazz-infused musical landscapes. The rejoin to the main theme and verse gets intense and hard rock ensues but not at the expense of tone or rhythmic force. Excellent Other One gets my +1