Farewell to Winterland; Not 40 mins. long ; no break down into feedback nonsense. Just sweet jazzy jamming; Just exactly perfect send off.

Transition jam weaves into spaces most fail to go; touch-down into Fire is GOLD. Jerry flubs first line in Fire-after that: 1 of the BEST ever!

Perfect, self-contained, blues-infused, stellar vocals, 14+ minutes of bliss. Extra fun: Check out the "Birdsong" riff about 10 secs. into the intro

Amazed this isn't here yet Gorgeous, melodic, jazz-infused, mellow, trippy, spacey into hard ripping Jerry riffs; melts into Brokedown Palace. Sublime

Kicks off with authority a 2d set every DeadHead needs to hear. Perfect bookend to Jerry's scorching Dew. They say it was cold&rainy that nite in ME.

Especially impressed with this version, given that most latter day PITB's felt like throwaways with a lot of Jerry noodling & little focus or purpose other than getting into the next tune after some meandering, but this one melts beautifully into "Same Thing" after getting a seamless entry from a nice, if somewhat placid UJB prior, and feels self-contained in its mellow but interesting musical exploration. Glad I checked this out and the UJB>PITB>SameThing Trifecta (they do need to be taken as a triplet piece for best effect) is worthy of more attention.

This has a lot in common with the Casey Jones from 10/2/77 in that they both benefit from--and become better because of-- an error. Here, it's the failure of Bob's mic that necessitates a longer intro jam that Jerry just decides to take into the outer reaches of intensity and into shredding legend....I'm not sure it's necessarily the "best" version ever (I still like 5/13/77) but it's a top shelf version for sure b/c of how they turned lemons into lemonade with Bourbon...it's a great save and a really great accomplishment how they handled it. (The Casey Jones from 10/2/77 similarly takes the occasion of Jerry forgetting a lyric to go into an extended bridge jam highlighted by a lovely Keith solo that no other version contains, and ultimately it emerges as what many agree is the best CJ ever.)

Yes indeed...I was pumped about the boxed set mostly for 5/13 and 5/17 but was more than pleasantly surprised by 5/11..I'll still put the Sugaree from that show up against any of the monsters from that year or any other.

Great rendition, extra points for St. Paul getting props in St. Paul

Hidden gem alert, from a show that's beautiful and shy and gets little attention due to its more famous sibling just 2 days prior, but wow! This Sugar Mag might just be THE best of the June '76 shows, and that's saying something. It's got to be the most intense mellow jam I've ever heard on this tune, if that makes any sense. Jerry's guitar just floats notes on a string and it rolls along innocently beautiful and then the jam just takes off after the last verse and charges headlong to a great finish while never losing its laid-back vibe. It's kind of like everything that's great about 1976 encapsulated in this one tune & it needs to be checked out and bumped way up. And you get the added bonus of it going into a sweet Eyes before rounding back to Stella & then the SSDD coda. Terrific version that surprised and delights all at once.