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grendel

Books and Music

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Submissions

43
Estimated Prophet
April 19, 1982
Baltimore Civic Center

From the famous "ravenspace" show; the only version in which the main theme is reprised+lots of Bob yelling
64
Ship of Fools
May 9, 1977
War Memorial

Perfection. The "comes a time" for this show gets all the attention but this SOF is just as grand
64
Uncle John's Band
Oct. 12, 1984
Augusta Civic Center

Part of a 2nd set for the ages; flows in & out of PITB teases & then reprises into killer Dew
20
Terrapin Station
Dec. 31, 1987
Oakland Coliseum Arena

Hold on tight!
51
Bertha
Oct. 29, 1977
Evans Field House, Northern Illinois University

Sweet bass drop-ins by Phil on intro; extended Garcia solos in bridge jam; very intense and fun

Comments

Estimated Prophet
Feb. 3, 1978
Dane County Coliseum

This is a great version but in defense of '77 I must point out that the soloing and especially outro jams on Estimated started to get stretched out on the fall tour. 10/29/77 offers a pretty good example.
The Wheel
April 19, 1982
Baltimore Civic Center

100% agree. Perfect show that only seems to get props for the joyous weirdness of the space but really virtually every song is tour de force, this Wheel no exception. My favorite Estimated and Brokedown are from this show as well.
Playin' In The Band
Oct. 20, 1974
Winterland Arena

I actually prefer this one to the more sought-after 1/2 hour version from earlier in this Winterland run (on 10/16). This is a trippy yet still jazzy exploration into mellow/gooey territory, while the whole band attacks the vocal sections with gusto and precision. The sandwich middle is tasty too and there's a long, flowing rejoinder heading into the eventual reprise, This needs a little hike up the vote ladder.
Dire Wolf
Nov. 6, 1977
Broome County Arena

So easy to overlook good versions of this song b/c it's so short and --for a Dead tune-- fairly uniform. But the standouts deserve attention and this is one of them from a monster show of the '77 fall tour.
Stella Blue
Oct. 17, 1974
Winterland Arena

I also love this one because nobody (i.e. Donna) ruins the "shine" chorus after Jerry dusts off those rusty strings just one more time. In fact, no one repeats the "shine" line and it's so much better for the omission. Instead it's all about the beauty of the tune and Jer's magnificent solo to follow. Too many pre-Brent versions (even in the golden year of '77) were marred by the off-key back up chorus, but not this one. I didn't mind in the 80's when Brent joined in, because his voice was perfect for the back-up, but this is one where the tune breathes and succeeds from a "less is more" approach.