headyversion

find the best versions of grateful dead songs

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grendel

Books and Music

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Submissions

11
Aiko Aiko
Dec. 31, 1987
Oakland Coliseum Arena

With the Neville Bros. Jerry gets his Big Easy on.
16
Promised Land
May 25, 1977
The Mosque

Perfection to end the first set of one of the truly great shows ever. Keith, Bobby, Jerry--the whole crew is in the pocket and rocking it hard.
14
Promised Land
April 1, 1980
Capitol Theatre

Both the best and worst version ever. Why? April Fool's gag: Bobby - keys, Brent & Jerry -drums, Billy - bass - Mickey -guitar Phil-vocals
75
Big River
May 9, 1977
War Memorial

They just could do no wrong at this show, Hidden among all the other gems is this monster River. Big solo work by Jerry; nice fills by Keith.
13
Brother Esau
Oct. 28, 1985
Fox Theater

Complete with kickin' cow bell, nice long intro, easily one of the best you'll find.

Comments

The Wheel
July 16, 1976
Orpheum Theatre

darkstar^^^good point that while a lot of wheels are spacey build-ups (& great they are) this one stands out for getting right into the theme but w/out sacrificing the ethereal moody mellowness of the tune. As Ernie noted as well some very distinguishable eastern influences make this a slightly different & wonderful version.
Let It Grow
Sept. 7, 1973
Nassau Coliseum

Was this really the live debut? If so, up there with the best “first evers” of all time. Jammed out & jazzy & rolls into a stellar Stella.
Stella Blue
Sept. 7, 1973
Nassau Coliseum

rolls gently & smoothly from Let It Grow & is a real gorgeous rendition with no interference on out of key vocals as later versions suffer from. End jam is surprisingly intricate & lengthy given the song's relative infancy. Excellent stuff.
China Cat Sunflower -> I Know You Rider
Oct. 17, 1974
Winterland Arena

Heck yeah and to all the above comments. Worthy of way higher ranking
Scarlet Begonias -> Fire On The Mountain
May 8, 1977
Barton Hall - Cornell University

Mind hasn't been changed about this version being undeserving of its far & away #1 all time position but (& perhaps this is obvious to some but it's only just recetly dawned on me) that perhaps the magic of this version is that it can be truly listed as ONE song more than any other existing rendition. The Scarlet end & Fire beginning are just about indistinguishable and the "transition: doesn't even really feel like one. All other versions stand out for their distinctive pairings but Corenll is truly all of one piece. It's amazing & should be rightfully celebrated for that fact. Best ever? Not to these ears. Top 20? Fer sure--and unique among all others--true as well.