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grendel

Books and Music

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Submissions

12
Help On The Way > Slipknot > Franklin's Tower
Sept. 6, 1983
Red Rocks Amphitheatre

Rippin' at Red Rocks. Bouncy, jaunty, zippy and energetic early 80's version. Brent takes control on Franklin's.
85
Playin' In The Band
Nov. 15, 1972
Oklahoma City Music Hall

Got half an hour to kill? Lose yourself in one of the greatest, mind-blowing, spacious, jamming, jazzy, monster PITB's in history.
21
Bird Song
Nov. 15, 1972
Oklahoma City Music Hall

The '72 vintages are so silky smooth and this one is no exception. Jerry's vocals aren't prone to the frog-croaks of later years.This glides on wings.
25
The Other One
May 13, 1977
Auditorium Theatre

A rare extended TOO for '77,: a fat, sick, jamming gem. Crazy exploration, worthy of 1972; Phil in command, Jerry ablaze; melts into Stella Blue
51
Dark Star
Dec. 31, 1978
Winterland Arena

Farewell to Winterland; Not 40 mins. long ; no break down into feedback nonsense. Just sweet jazzy jamming; Just exactly perfect send off.

Comments

The Wheel
July 16, 1976
Orpheum Theatre

darkstar^^^good point that while a lot of wheels are spacey build-ups (& great they are) this one stands out for getting right into the theme but w/out sacrificing the ethereal moody mellowness of the tune. As Ernie noted as well some very distinguishable eastern influences make this a slightly different & wonderful version.
Let It Grow
Sept. 7, 1973
Nassau Coliseum

Was this really the live debut? If so, up there with the best “first evers” of all time. Jammed out & jazzy & rolls into a stellar Stella.
Stella Blue
Sept. 7, 1973
Nassau Coliseum

rolls gently & smoothly from Let It Grow & is a real gorgeous rendition with no interference on out of key vocals as later versions suffer from. End jam is surprisingly intricate & lengthy given the song's relative infancy. Excellent stuff.
China Cat Sunflower -> I Know You Rider
Oct. 17, 1974
Winterland Arena

Heck yeah and to all the above comments. Worthy of way higher ranking
Scarlet Begonias -> Fire On The Mountain
May 8, 1977
Barton Hall - Cornell University

Mind hasn't been changed about this version being undeserving of its far & away #1 all time position but (& perhaps this is obvious to some but it's only just recetly dawned on me) that perhaps the magic of this version is that it can be truly listed as ONE song more than any other existing rendition. The Scarlet end & Fire beginning are just about indistinguishable and the "transition: doesn't even really feel like one. All other versions stand out for their distinctive pairings but Corenll is truly all of one piece. It's amazing & should be rightfully celebrated for that fact. Best ever? Not to these ears. Top 20? Fer sure--and unique among all others--true as well.