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find the best versions of grateful dead songs

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grendel

Books and Music

+23519


Submissions

4
Aiko Aiko
March 30, 1987
The Spectrum

Submitting this on Fat Tuesday 2017. Great Mardi Gras version with really nice piano (!) fills by Brent that oughta be heard!
5
Lazy Lightnin' -> Supplication
May 12, 1980
Boston Garden

Get on this one, folks. It's a ripper.
13
Let It Grow
July 29, 1974
Capitol Center

Absolute best of 1974. Not kidding. Jerry's leads are ripping & confident. The band plays flawlessly.Can stand w/some of the best of '77. Must hear.
4
Ramble On Rose
Oct. 21, 1971
Auditorium Theatre

Keith's second show & he's all over this faster paced super fun honky tonk version!
5
The Weight
June 7, 1991
Deer Creek Music Center

This is really the best one I've heard--everyobody nails their parts/lyrics...great piano fills on the side (yay, Bruce!). Just exactly, etc.

Comments

The Wheel
July 16, 1976
Orpheum Theatre

darkstar^^^good point that while a lot of wheels are spacey build-ups (& great they are) this one stands out for getting right into the theme but w/out sacrificing the ethereal moody mellowness of the tune. As Ernie noted as well some very distinguishable eastern influences make this a slightly different & wonderful version.
Let It Grow
Sept. 7, 1973
Nassau Coliseum

Was this really the live debut? If so, up there with the best “first evers” of all time. Jammed out & jazzy & rolls into a stellar Stella.
Stella Blue
Sept. 7, 1973
Nassau Coliseum

rolls gently & smoothly from Let It Grow & is a real gorgeous rendition with no interference on out of key vocals as later versions suffer from. End jam is surprisingly intricate & lengthy given the song's relative infancy. Excellent stuff.
China Cat Sunflower -> I Know You Rider
Oct. 17, 1974
Winterland Arena

Heck yeah and to all the above comments. Worthy of way higher ranking
Scarlet Begonias -> Fire On The Mountain
May 8, 1977
Barton Hall - Cornell University

Mind hasn't been changed about this version being undeserving of its far & away #1 all time position but (& perhaps this is obvious to some but it's only just recetly dawned on me) that perhaps the magic of this version is that it can be truly listed as ONE song more than any other existing rendition. The Scarlet end & Fire beginning are just about indistinguishable and the "transition: doesn't even really feel like one. All other versions stand out for their distinctive pairings but Corenll is truly all of one piece. It's amazing & should be rightfully celebrated for that fact. Best ever? Not to these ears. Top 20? Fer sure--and unique among all others--true as well.