Almost beyond description. The last full jam leading into the GDTR chorus is a perfect storm example of what made the Dead magic

Gotta check out the "small" songs in legendary shows like this as well as the usual suspects! Check out Jerry's utterly perfect bridge jam & be in awe

If you don't know Saxophonist David Murray, here's a good way to find out how great he is. This is one stellar Birdsong that flew under the radar here

Is there anything prettier, sweeter or more sublimely lovely than Keith's piano in this version? You decide. This TLEO is incredible.

New #1 favorite. Slightly more compact than other amazing '77 versions & so a bit more focused. 2d Garcia solo has no equal.

Agreed. There isn't much from this show that couldn't stand up as a #1 contender at the very least. Althea, Franklin's, Wheel, He's Gone--all stand outs from an amazing show & this Stranger--never a song that stood out to me--is pretty special here.

It makes ZERO SENSE that this had only one vote when I came to it. What exactly in the name of Jerry is goin' on here? The ChinaCat here is so fluid and Jerry is throwing in tempo changes and extra notes all while holding the main theme somehow tighter than a drum...the rest of the band is right in line, having a blast...Phil's out front and Keith's just butter...then the transition jam charges into jazz city before back-dooring its way into a subtle FeelinGroovyJam intro, which then gets a smooth, elongated treatment before shifting into a rockin' Rider. I know there's a million great versions of this pairing from '72-'74 but even so this one NEEDS higher ranking and really belongs in a Top 5 conversation. Listen and then come back. I'll wait.

This and Jerry's laid-back, intricate notes in all the earliest versions always remind me of Mark Knopfler's sound and style. Check out any early Dire Straits tunes "Once Upon a Time in the West" or "In the Gallery" or really anything from their first two albums and you'll see what I mean.

Both grateful and embarrassed that I'm only just now coming around to how spectacular this Dark Star is! May have just surpassed 10/25 as my favorite of 1969...it's just what a Dark Star should be: beautiful, contemplative, jazzy, then at turns dark, mysterious, flowing, jamming, and with added treats in the latter part of the song: a sweet "Tighten Up" jam and what sounds a whole lot like "Only the Beginning" from Chicago Transit Authority near the end. Exceptional Dark Star!

You won't find a better post-1974, pre-Branford Dark Star than this (w/the exception of Winterland 12/31/78). Plus, this whole show is grossly overlooked. It contains an absolutely killer "Shakedown" and an all-time-best "Miracle" to compliment this meaty DS.