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find the best versions of grateful dead songs

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grendel

Books and Music

+24543


Submissions

7
Greatest Story Ever Told
March 14, 1981
Hartford Civic Center

Best of the 80's or 90's, hands down. Picture perfect rendition: Vocals, jam fills, & finish.
6
The Other One
April 16, 1984
Community War Memorial Auditorium

Short but raging. Look beyond the length & enjoy for the fire within. Jerry attacks this from the get-go & it's awesome.
2
Truckin'
Dec. 12, 1993
San Diego Sports Arena

Anybody else hear a very distinctive riff of Steely Dan's "Black Friday" in the intro?
5
Sugar Magnolia
April 8, 1978
Veterans Memorial Coliseum

Just listen & you will believe. End jam before SSDD is a tidal wave of sound & power & beauty. A true must hear.
7
Darkness Jam
June 6, 1970
Fillmore West

Just one jam theme among many. this should be called "Kitchen Sink" jam. Has so much & all so good

Comments

Estimated Prophet
April 19, 1982
Baltimore Civic Center

Thanks for the heads up on the other reprise versions, Klaussmith! I must go and find and listen...I was convinced Baltimore was the only time, but if there are others, that's great! Love how it sounds when they bring it back around!
Here Comes Sunshine
Feb. 17, 1973
St. Paul Auditorium

Not the best HCS & not the best China>Rider to follow either (tho' neither is bad)....HOWEVER, this transition from HCS>ChinaCat is one of the, if not THE best supercool&smooth transitions the band EVER performed, on par with and perhaps better than SugarMag>Scarlet from Alpine '89. Worth it just for the seamless transition alone.
Scarlet Begonias -> Fire On The Mountain
April 3, 1982
The Scope

Seek out the new "Seaweed" SBD version which is superior to all others and marvel at how bouncy, jammy and loosey-goosey awesome this version really is. Insanely good "Eyes" as well...
Playin' In The Band
June 22, 1973
Pacific Coliseum

Much like the "Birdsong" from this great show, there are elements of "Dark Star" and great gooey mellow spaciness in this version. Needs more votes.
Cosmic Charlie
June 19, 1976
Capitol Theatre

Must agree. Vocally, Donna keeps things in a sweet spot and the slow but not too-slow tempo carries this one into #1 territory.