headyversion

find the best versions of grateful dead songs

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grendel

Books and Music

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Submissions

5
Wharf Rat
Sept. 27, 1976
Community War Memorial Auditorium

Keith shines on a long, flowing intro section that spills into space-mellow Rat-Goodness
14
Last Time
Dec. 8, 1993
Sports Arena

Emerges from Space with a very long intro & very distinct and sustained St. Stephen tease! My favorite version.
10
Dear Mr. Fantasy
July 18, 1989
Alpine Valley

Part of what made this Alpine run so legendary. Soulful and Brent-astic.
5
Big Railroad Blues
Aug. 14, 1971
Berkeley Community Theater

Maybe the best pure hard riving Rock&Roll version. Lean, mean, and Jerry supreme!
38
Scarlet Begonias -> Fire On The Mountain
Nov. 2, 1977
Field House - Seneca College

Rarely heard (left out of DP Bonus tracks for Vol. 34) but another sweet/smooth '77 winner.
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Comments

Estimated Prophet
April 19, 1982
Baltimore Civic Center

Thanks for the heads up on the other reprise versions, Klaussmith! I must go and find and listen...I was convinced Baltimore was the only time, but if there are others, that's great! Love how it sounds when they bring it back around!
Here Comes Sunshine
Feb. 17, 1973
St. Paul Auditorium

Not the best HCS & not the best China>Rider to follow either (tho' neither is bad)....HOWEVER, this transition from HCS>ChinaCat is one of the, if not THE best supercool&smooth transitions the band EVER performed, on par with and perhaps better than SugarMag>Scarlet from Alpine '89. Worth it just for the seamless transition alone.
Scarlet Begonias -> Fire On The Mountain
April 3, 1982
The Scope

Seek out the new "Seaweed" SBD version which is superior to all others and marvel at how bouncy, jammy and loosey-goosey awesome this version really is. Insanely good "Eyes" as well...
Playin' In The Band
June 22, 1973
Pacific Coliseum

Much like the "Birdsong" from this great show, there are elements of "Dark Star" and great gooey mellow spaciness in this version. Needs more votes.
Cosmic Charlie
June 19, 1976
Capitol Theatre

Must agree. Vocally, Donna keeps things in a sweet spot and the slow but not too-slow tempo carries this one into #1 territory.
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