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grendel

Books and Music

+24543


Submissions

130
Wharf Rat
Oct. 7, 1977
University of New Mexico

Most pristine version I've ever heard. So smooth, so clear. Keith leads the way, Jerry brings it home. . Essential for all Wharf Rat fans
18
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Another kick-ass version out of Space...not as long&rising a wind-up as the 9-14-82 tripiness), but raucous, fun & full of N'awlins cajun rock!
36
Cold Rain and Snow
Oct. 12, 1983
Madison Square Garden

Powerhouse. Garcia belts out vocals. Hear amazing riff of added notes in the main theme instrumental sections.Drums pound away as well.
7
Brown Eyed Women
Nov. 29, 1979
Cleveland Public Hall

Jerry commits strong vocals to this rendition--he's into it big time...& Brent adds great accompaniment. Very strong Garcia bridge jam as well.
118
Cumberland Blues
April 8, 1972
Wembley Empire Pool

They could actually hit the high notes in '72, and the jams? Goodness gracious--this one just rips a hole in the space/time continuum!

Comments

Uncle John's Band
Dec. 26, 1979
Oakland Auditorium

From DP Vol. 5...superior contributions from Brent and an absolutely sublime solo in the mid-section by Jerry...a version both sweet and scintillating.
Terrapin Station
May 7, 1977
Boston Garden

Sorry, fellas, but there was NO Terrapin played on this night. Great "Help>Slip>Franklin's", "Ship of Fools", and "Comes A Time", though!
Terrapin Station
March 15, 1990
Capital Centre

Agreed. The Mock Turtle Jam alone is worth the price, etc. Outstanding version.
Terrapin Station
Feb. 26, 1977
Swing Auditorium

Blob- It IS certainly pretty; definitely noteworthy; I just am amazed at how often it appears as a "best ever" when Terrapin discussions come up. Now back to our regularly scheduled song listings ;-)
Terrapin Station
Feb. 26, 1977
Swing Auditorium

Hope I don't incur too much wrath here, but I totally disagree w/all that's been said about this version, especially putting it at #1. It's NOT especially powerful, and while it's played competently enough, it's clear that there are kinks to be--and were--worked out for later versions. I mean, Jerry doesn't even get the lyrics right! (Not that that was so rare, but there are many other versions in which he DOES nail all the lyrics, and the jams are far more interesting and intense than this one.) Please listen objectively and you'll see my point...which is that this version seems to get inordinately praised precisely because it was first--not because it was best.