With the Neville Bros. Jerry gets his Big Easy on.

Perfection to end the first set of one of the truly great shows ever. Keith, Bobby, Jerry--the whole crew is in the pocket and rocking it hard.

Both the best and worst version ever. Why? April Fool's gag: Bobby - keys, Brent & Jerry -drums, Billy - bass - Mickey -guitar Phil-vocals

They just could do no wrong at this show, Hidden among all the other gems is this monster River. Big solo work by Jerry; nice fills by Keith.

Complete with kickin' cow bell, nice long intro, easily one of the best you'll find.

Great experimentation to this far underrated version--intense as others have described and jam packed too.

Always rank this tune first & foremost on how many lyrics Jerry gets right--the average is around 75% for most versions but here he's 100% nailing it and for a sweet bonus you get an absolutely slamming guitar bridge jam. Easy ups.

Love when I can still stumble across a version of Eyes that I'm either unfamiliar with or haven't heard in ages and realize how good it is--enuff to drop a comment on the board. It's been said before but with so many killer versions of this tune in its debut year many worthy entries will get lost in the shuffle. At a relatively paltry 20 or so votes this is one of them. Emerging quietly from a DarkStar this one gives you all the gooey flowing jamming that Garcia had going from the git-go in '73 and I'd also point out that the vocal harmonies are pretty sweet on the choruses...just a great, sweet as molasses reading of the tune and a typical for the year great post lyrics jazz clinic. Keith shines in this section, too.

Don't see how this one's been kept hidden for so long...slightly longer jam section b4 the final return and played at a speedy but totally in control clip--Garcia is dialed in as is the whole band....great version sitting weirdly below 10 votes when I got here

Almost perfect, and almost better for not being perfect. You can tell they hadn't played it in a while & it's like Jerry's trying out new stuff in the jam section that he wasn't doing and the results are jaw-dropping if not what one could nitpick as "a bit off" when it comes to sticking the landing. But what he offers in color and energy and pure gamesmanship is more than worth the loss of pure precision. A grade stuff