headyversion

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Submissions

7
Good Lovin'
Feb. 19, 1971
Capitol Theater

20 min. Pig rap-fest; Heavy and fast barnburner, thunderous drums, and nimble bass
10
The Other One
Feb. 19, 1971
Capitol Theater

Three from the Vault version; Tumbling, fiery, madness, Garcia lights this one up; The bus stopped by at the Capitol Theater, did you get on?
16
Scarlet Begonias -> Fire On The Mountain
May 5, 1981
Glens Falls Civic Center

Melodic and creative soloing throughout; the transition (">") is absolutely on fire, musical communication between instruments is on point
10
Althea
May 12, 1981
Veterans' Memorial Coliseum

Sweet and funky
11
Scarlet Begonias -> Fire On The Mountain
Dec. 28, 1986
Henry J. Kaiser Convention Center

Not a spectacular show by any means; This S>F however is very strong, Garcia officially back from the dead
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Comments

China Cat Sunflower -> I Know You Rider
June 22, 1973
Pacific Coliseum

Octane level transition jam, hooks left and right, Weir flying, Garcia dipping, Lesh interweaving. One of the greatest China>Riders to ever be recorded on tape--bar none-. The transition could be one of the finest ever.
Bird Song
Oct. 18, 1972
Fox Theater

An especially poignant. I too dug the lead out of the vocal reprise. Particularly jazzy, Billy is on, very strong interplay between all. Lucid and soaring, one of my top shows and versions of 72'. A very cosmic experience, from entrance to finale, the Dark Star>Dew from in the second set, is, let me tell you, one hell of a trip. If anything listen to that, but you'd be missing out on this Bird Song and a bunch of other noteworthy renditions of other classics, so just listen to the whole thing, not a disappointing moment throughout.
He's Gone
Oct. 9, 1984
The Centrum

Gospel Church style extended vocals and riffing. Crowd is all over it, you can hear them going wild. Very strong version and a bluesy segue into Smokestack, choice stuff.
China Cat Sunflower -> I Know You Rider
May 20, 1973
U.C.

Something about this one, it just flows-thats it- flows. Peaks at an incendiary level leading into the Rider, something in which is always a good barometer-- especially when the 1st set is still going-- that the band is on. The transition- as Carrion aptly described- is perfect. The Rider is a-typical of the period and the year, very strong, with excellent Garcia leads. Vocals, cant blame Garcia he has a cold- but it still doesn't detract from the listening experience.
Hell in a Bucket
July 8, 1987
Roanoke Civic Center

Righteous and thundering. Weir gets into it and Garcia shreds.
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