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Submissions

7
Cryptical Envelopment
Oct. 13, 1968
Avalon Ballroom

From a painful whisper to pure lightening, an enveloping force of nature
6
Death Don't Have No Mercy
Oct. 13, 1968
Avalon Ballroom

Dark, moody, and soulful. A searing guitar solo, a purely haunted version. An evocation of the deep unharnessed power that controls the fatal cycle.
3
Turn On Your Love Light
Dec. 2, 1971
Boston Music Hall

Pulsing and free. Bill sounds like he has triple the arms. Pig sweats some blues, Garcia liquifies. Lock yourself in, strap up, and don't look back.
8
Dancin' in the Streets
June 3, 1976
Paramount Theatre

Churns, plays itself out, factor playing. Energetic, smooth as smooth.
4
Cryptical Envelopment
Dec. 29, 1968
Gulfstream Park Race Track

Peaks and melts in all kinds of directions

Comments

Cassidy
Oct. 12, 1983
Madison Square Garden

This version here has completely changed my perception of the song, one my new favorite versions, the jamming is concise and focused. Good call here.
Row Jimmy
March 20, 1977
Winterland Arena

Clean is the appropriate term here, this is as clean as possible, I can definitively say this deserves its spot.
Dark Star
March 21, 1973
Utica Memorial Auditorium

Second all thoughts above, this is a DS that provides adequate room for contemplative listening, a jazz-infused visual piece, worth listening.
Turn On Your Love Light
Feb. 14, 1970
Fillmore East

Hey my man, no worries, but it looks like you've made a common mistake, the Lovelight is from 2/13 not 2/14.
Eyes Of The World
Feb. 15, 1973
Dane County Coliseum

Laid back, mellow, jazzy, and the ultimate zenith of what makes this band so great. Bring this version out whenever its time to prove the Grateful Dead to somebody, if they take the time to listen, they will get it. In certainty, I "got it" once again listening to this version, and urge all who have managed to escape hearing this one to throw on some high-quality headphones and dedicate a relaxed hour to hear the mind-bending jam sequence featured in this 2nd set. I have all conclusive evidence from this show alone, let alone many more, to label 1973 as a top top year in the Grateful Dead's repertoire of 30.