headyversion

find the best versions of grateful dead songs

please login or register.

hvd

sleuth

+21555


Submissions

7
El Paso
Aug. 21, 1972
Berkeley Community Theater

Out of cold Dark Star space. Prankster jukes regardless this one serves itself well.
7
Black Peter
April 12, 1970
Fillmore West

Mellow and cool. This one follows one of those Dancin's that'll knock your teeth out. This peter cools off the flames. Ghostly coolness.
6
Turn On Your Love Light
March 24, 1970
Pirates World

This has it all. Pig on top, tight frantic lines, tension, build, and crowd back and forth. Serious sequence here starting with the High Time.
7
Eyes Of The World
Oct. 20, 1974
Winterland Arena

To think for a moment, this upon its completion, this Eyes, was to be the last ever. Think of the emotion, energy, power. One can only imagine.
10
Viola Lee Blues
March 20, 1970
Capitol Theater

Packs a hell of a punch. A later version, 70' but solos as it should.

Comments

Dark Star
Sept. 19, 1970
Fillmore East

Required listening. From when the bell tolls to when the rhythm kicks and snares. From when the ground erupts with radiant energy to when the blue cold freezes over, to when, when the night collapses, everything silently, slowly, coalesces into nothingness, the quiet solitude of nothing, but as the layers proceed to dissipate and the structure returns; as the wholeness and harmony of beauty crawl back into fruition and yell and jump and probe the frozen turf before melting beneath layers of oozing kerosene, the final verse is reached. The dark whispers into the beaming radiance of melody, one of the greats, don't miss this.
The Eleven
June 14, 1968
Fillmore East

Blazing, out of feedback, with power.
St. Stephen
June 14, 1968
Fillmore East

Ferocious, chaotic, scrambled and powerful. Just massive. Sound issues are rampant, ignore them and listen to the raw tenacity.
Viola Lee Blues
Feb. 2, 1968
Crystal Ballroom

A loud, heavy, dark, driven churn. Rips like a chainsaw.
Good Morning Little Schoolgirl
Feb. 2, 1968
Crystal Ballroom

Just a sweaty blues power-house. Pig reigns down the news with authority. Churning slow-boil and forceful interplay. Harmonica and guitar complement. Things are raw and primal here, a showcase.