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Submissions

13
Brown Eyed Women
May 4, 1977
The Palladium

I had forgotten how much I love this show! From BEW to the end this show provides some exemplary playing. This BEW is butter, clean as a whistle.
12
Me and My Uncle
Dec. 12, 1969
Thelma Theater

Very, very tight version. Weir goes crazy, and screams. Really good rendition, in a hot show.
15
Sugaree
Nov. 24, 1978
Capitol Theatre

Garcia gives it his all. Rippin' solos, and clear concise leads. Voice is a little rough, but he manages to hit pretty high levels of insanity.
12
West L.A. Fadeaway
Dec. 31, 1988
Oakland Coliseum Arena

Big version w/ Clarence Clemons on sax
11
West L.A. Fadeaway
Sept. 30, 1989
Shoreline Amphitheatre

Strong Jerry solo.

Comments

Dark Star
Sept. 19, 1970
Fillmore East

Required listening. From when the bell tolls to when the rhythm kicks and snares. From when the ground erupts with radiant energy to when the blue cold freezes over, to when, when the night collapses, everything silently, slowly, coalesces into nothingness, the quiet solitude of nothing, but as the layers proceed to dissipate and the structure returns; as the wholeness and harmony of beauty crawl back into fruition and yell and jump and probe the frozen turf before melting beneath layers of oozing kerosene, the final verse is reached. The dark whispers into the beaming radiance of melody, one of the greats, don't miss this.
The Eleven
June 14, 1968
Fillmore East

Blazing, out of feedback, with power.
St. Stephen
June 14, 1968
Fillmore East

Ferocious, chaotic, scrambled and powerful. Just massive. Sound issues are rampant, ignore them and listen to the raw tenacity.
Viola Lee Blues
Feb. 2, 1968
Crystal Ballroom

A loud, heavy, dark, driven churn. Rips like a chainsaw.
Good Morning Little Schoolgirl
Feb. 2, 1968
Crystal Ballroom

Just a sweaty blues power-house. Pig reigns down the news with authority. Churning slow-boil and forceful interplay. Harmonica and guitar complement. Things are raw and primal here, a showcase.