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Submissions

5
Black Peter
Feb. 28, 1970
Family Dog at the Great Highway

Maybe the best acoustic Black Peter ever...
1
Black Peter
May 11, 1979
Billerica Forum

Heartfelt and Soulful
4
Black Peter
Dec. 5, 1979
Uptown Theater

Ethereal rendition, mellow, dark, loose, and cool vibes emanate from one of the best Black Peters of the year
7
Althea
Nov. 9, 1979
Memorial Auditorium

Loose, mellow, and serene
18
Candyman
July 31, 1982
Manor Downs

Slinky smooth, and soulful, Jerry's tone is on the money, and his vocals are top notch

Comments

Clementine
Jan. 20, 1968
Eureka Municipal Auditorium

A time-warp. Red roses and velvet. Jazzy and smooth, a trip through the time and rhythms that be. Like a snowflake in summer and a blue swirling lake, curls like the winter, and sings like a saint.
New Potato Caboose
Jan. 20, 1968
Eureka Municipal Auditorium

Heavy, organic train of smoldering ash and coal
The Eleven
Oct. 13, 1968
Avalon Ballroom

Coralsandbelow has posed a question, a tough one at that, better than 10/12!? Impossible you say. The Eleven, obviously 10.12, that monster, is undoubtedly unbeatable, at least for 1968. That powerhouse, full-out sprinting joyful eleven minute exhalation. Clean cold frosty breath, metallic energy, and primal raw energy, at a certain apex, an apex of psychedelic power. You say this after you hear 10.12, however, where were you when 10.13 was to get its air time? After listening to 10.12, the Eleven that is, and then listening to 10.13, the twelfth sounds like a warm-up, the heat, following that brilliant 10.12 madness, comes in like a steam locomotive drilling hundreds of miles per hour, off the rails and crushing undergrowth, wrecking havoc on all about, a power unbridled, unharnessed, raw and free. Like a flowing brook, a stream, in darkness, rapid and overflowing the banks, pouring rain, and cracking thunder. This is 10.13 THE Eleven you must hear.
Eyes Of The World
Feb. 28, 1973
Salt Palace

"Majestic"--to quote Carrion's apt description--floating on a thin iridescent air, maneuvering silently from the depths of The Other One, melting into a smooth frenzy. Fills, capturing, the heart of the melody, and a Dirt Jam, as explosive as they come. The band is sufficiently warmed up and hot coming out of The Other One, a monster at that, and are just biting their chops, they give this one a smooth reading. Just fantastic, really, they're all on.
Sugaree
Oct. 16, 1977
Louisiana State U

A version that clearly has the band clicking on all cylinders. Peak after peak led by the tones of Garcia and Lesh, a meld of telepathic control, the drummers, control the pace with an effective tone, an emotionally riveting performance. Every fill every nuance, one of the best.