headyversion

find the best versions of grateful dead songs

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Submissions

1
Goin' Down The Road Feelin' Bad
May 29, 1971
Winterland Arena

High, high energy NFA>GDTRFB>NFA really worth checking out, absolutley rockin' version
6
Turn On Your Love Light
Aug. 15, 1971
Berkeley Community Theater

Super swinging version, Pig and Lesh all over this
4
Cumberland Blues
Aug. 15, 1971
Berkeley Community Theater

This is a fiery cumberland, high flying and sick, Lesh is a all over this whole show, and is on point this entire cumberland
9
The Other One
Aug. 15, 1971
Berkeley Community Theater

A representation of the great form the band was in mid August 1971. This Truckin'>Other One is just a killer experience, including some phil bombs
6
Not Fade Away
March 24, 1971
Winterland Arena

Smokin' NFA>GDTRFB>NFA, powerful and rhythmic, hard rockin' and one of the hottest NFA of 71'
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Comments

Scarlet Begonias
June 3, 1976
Paramount Theatre

A real solid version. Base-type, cut down, and simplified, still, funky and up-beat, bouncy, and clean, clean, clean.
It's All Over Now Baby Blue
April 17, 1982
Hartford Civic Center

"For all you folks up back there who've been watching the back of our heads" sez the band just as the song starts. Great vocal performance, a powerful version. Nice call, love the first post, welcome to the site Musicphotos.
The Other One
Dec. 29, 1968
Gulfstream Park Race Track

Explorations and voyages to the craters of time, dark mad primal energy. The origin of it all, creation, the apotheosis of psychedelic sweat-acid drenched ferocity. From Lesh to Jerry to Drums,a tenacious dark interplay is at work. Locked in jamming, an acid madhouse.
The Eleven
Dec. 29, 1968
Gulfstream Park Race Track

Liquid, dark raw free and flowing cascade of notes, ducking and skipping with loose ferocity and coherent imaginations, collectively interplaying to the rhythm of the times, pure fire and brimstone jamming. Metallic shimmering silver rimmed notes bouncing of one another, stringing together, freely separating and dispersing through the air-zone. Lesh with a mad tone, Garcia with an electrician's touch, rolling lightning bolts from the cloud's themselves. Dropping entire torrents of tsunami level flow, seguing into a Kreutzman and Hart tribal encore, only to continue the psychedelic acid bath.
Althea
Aug. 16, 1980
Mississippi River Festival

Strong, durable, concise, dexterous filling, interplay between Brent/Jerry/Phil/Bob is contagiously smokey and gripping. Good vocals, little flub in the beginning, but nothing major, a damn cool version, smooth as the Mississippi river on a warm August day.
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