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Submissions

16
He's Gone
June 30, 1985
Merriweather Post Pavilion

Sublime. Full heady steam engine coming down the track, check out this deep sounding monster, mellow and contained and nailed
13
Big Railroad Blues
June 30, 1985
Merriweather Post Pavilion

Jerry kicks this into high gear, a smokin' version
26
Terrapin Station
April 24, 1978
Horton Field House - Illinois State University

Dynamic and skillfully played version, featured on Dave's Picks 7
8
Goodnight Irene
Dec. 31, 1983
Civic Auditorium

Great cover of an awesome weavers song. The song works well in the encore slot. Really fun listening to it, Jerry singing this song is a real trip!
25
The Other One
May 9, 1977
War Memorial

A fairly short version, but don't let the time fool you, this version is as intense as they come. Its to wonder how they could make this up on the fly

Comments

Scarlet Begonias
June 3, 1976
Paramount Theatre

A real solid version. Base-type, cut down, and simplified, still, funky and up-beat, bouncy, and clean, clean, clean.
It's All Over Now Baby Blue
April 17, 1982
Hartford Civic Center

"For all you folks up back there who've been watching the back of our heads" sez the band just as the song starts. Great vocal performance, a powerful version. Nice call, love the first post, welcome to the site Musicphotos.
The Other One
Dec. 29, 1968
Gulfstream Park Race Track

Explorations and voyages to the craters of time, dark mad primal energy. The origin of it all, creation, the apotheosis of psychedelic sweat-acid drenched ferocity. From Lesh to Jerry to Drums,a tenacious dark interplay is at work. Locked in jamming, an acid madhouse.
The Eleven
Dec. 29, 1968
Gulfstream Park Race Track

Liquid, dark raw free and flowing cascade of notes, ducking and skipping with loose ferocity and coherent imaginations, collectively interplaying to the rhythm of the times, pure fire and brimstone jamming. Metallic shimmering silver rimmed notes bouncing of one another, stringing together, freely separating and dispersing through the air-zone. Lesh with a mad tone, Garcia with an electrician's touch, rolling lightning bolts from the cloud's themselves. Dropping entire torrents of tsunami level flow, seguing into a Kreutzman and Hart tribal encore, only to continue the psychedelic acid bath.
Althea
Aug. 16, 1980
Mississippi River Festival

Strong, durable, concise, dexterous filling, interplay between Brent/Jerry/Phil/Bob is contagiously smokey and gripping. Good vocals, little flub in the beginning, but nothing major, a damn cool version, smooth as the Mississippi river on a warm August day.