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Submissions

7
El Paso
Aug. 21, 1972
Berkeley Community Theater

Out of cold Dark Star space. Prankster jukes regardless this one serves itself well.
7
Black Peter
April 12, 1970
Fillmore West

Mellow and cool. This one follows one of those Dancin's that'll knock your teeth out. This peter cools off the flames. Ghostly coolness.
6
Turn On Your Love Light
March 24, 1970
Pirates World

This has it all. Pig on top, tight frantic lines, tension, build, and crowd back and forth. Serious sequence here starting with the High Time.
7
Eyes Of The World
Oct. 20, 1974
Winterland Arena

To think for a moment, this upon its completion, this Eyes, was to be the last ever. Think of the emotion, energy, power. One can only imagine.
10
Viola Lee Blues
March 20, 1970
Capitol Theater

Packs a hell of a punch. A later version, 70' but solos as it should.

Comments

Beat it on Down The Line
April 7, 1972
Wembley Empire Pool

No kidding.... This one has more energy than most, one of the best for sure, thanks for the heads up Garces.
Playin' In The Band
Oct. 23, 1971
Easttown Theatre

Pretty far out there, considering the date, 6:00 without the light-speed, the big hand of Garcia and the rest of em' just inching slowly closer and closer to the lever in which the propulsion forwards into the nethers of the alternate dimensional spheres are released and yanked. The throttle, however's been hit, and the first major paramount acceleration has been reached. They skim around and slide around the outer reaches of the final sphere of home's atmosphere, scouting the pathways of the future. The buzz of exploration in times upcoming is seen on the horizon, and its clear they know it.
Dancin' in the Streets
Oct. 1, 1977
Paramount Theatre

Almost sounds primal, personally, I don't always enjoy this song, however, this version has that certain energetic feel, the certain type of leads that set it apart. A real highlight from this performance. Oct. 77, once again, is very impressive, it sounds as if they expand off the more calculated blueprinted renditions from the spring. The fall has a bit of a darker finer tint to it. A harder-rocking, more somber feel, reminds me of some 84', except much cleaner, not to knock 84', it just didn't quite have the same consistency.
Black Peter
Oct. 1, 1977
Paramount Theatre

Standout version from this show. A clean, darkish vibe emanates, somber joy, meanders with painful grace. They pace it well. Very strong for a bust-out, first since Winterland 74'.
The Music Never Stopped
Oct. 1, 1977
Paramount Theatre

Some real ferocity, sting, and scorch. Garcia won't quit. Peak version.