headyversion

find the best versions of grateful dead songs

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Submissions

13
Brown Eyed Women
May 4, 1977
The Palladium

I had forgotten how much I love this show! From BEW to the end this show provides some exemplary playing. This BEW is butter, clean as a whistle.
12
Me and My Uncle
Dec. 12, 1969
Thelma Theater

Very, very tight version. Weir goes crazy, and screams. Really good rendition, in a hot show.
15
Sugaree
Nov. 24, 1978
Capitol Theatre

Garcia gives it his all. Rippin' solos, and clear concise leads. Voice is a little rough, but he manages to hit pretty high levels of insanity.
12
West L.A. Fadeaway
Dec. 31, 1988
Oakland Coliseum Arena

Big version w/ Clarence Clemons on sax
11
West L.A. Fadeaway
Sept. 30, 1989
Shoreline Amphitheatre

Strong Jerry solo.
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Comments

Beat it on Down The Line
April 7, 1972
Wembley Empire Pool

No kidding.... This one has more energy than most, one of the best for sure, thanks for the heads up Garces.
Playin' In The Band
Oct. 23, 1971
Easttown Theatre

Pretty far out there, considering the date, 6:00 without the light-speed, the big hand of Garcia and the rest of em' just inching slowly closer and closer to the lever in which the propulsion forwards into the nethers of the alternate dimensional spheres are released and yanked. The throttle, however's been hit, and the first major paramount acceleration has been reached. They skim around and slide around the outer reaches of the final sphere of home's atmosphere, scouting the pathways of the future. The buzz of exploration in times upcoming is seen on the horizon, and its clear they know it.
Dancin' in the Streets
Oct. 1, 1977
Paramount Theatre

Almost sounds primal, personally, I don't always enjoy this song, however, this version has that certain energetic feel, the certain type of leads that set it apart. A real highlight from this performance. Oct. 77, once again, is very impressive, it sounds as if they expand off the more calculated blueprinted renditions from the spring. The fall has a bit of a darker finer tint to it. A harder-rocking, more somber feel, reminds me of some 84', except much cleaner, not to knock 84', it just didn't quite have the same consistency.
Black Peter
Oct. 1, 1977
Paramount Theatre

Standout version from this show. A clean, darkish vibe emanates, somber joy, meanders with painful grace. They pace it well. Very strong for a bust-out, first since Winterland 74'.
The Music Never Stopped
Oct. 1, 1977
Paramount Theatre

Some real ferocity, sting, and scorch. Garcia won't quit. Peak version.
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