headyversion

find the best versions of grateful dead songs

please login or register.

hvd

sleuth

+21565


Submissions

13
Brown Eyed Women
May 4, 1977
The Palladium

I had forgotten how much I love this show! From BEW to the end this show provides some exemplary playing. This BEW is butter, clean as a whistle.
12
Me and My Uncle
Dec. 12, 1969
Thelma Theater

Very, very tight version. Weir goes crazy, and screams. Really good rendition, in a hot show.
15
Sugaree
Nov. 24, 1978
Capitol Theatre

Garcia gives it his all. Rippin' solos, and clear concise leads. Voice is a little rough, but he manages to hit pretty high levels of insanity.
12
West L.A. Fadeaway
Dec. 31, 1988
Oakland Coliseum Arena

Big version w/ Clarence Clemons on sax
11
West L.A. Fadeaway
Sept. 30, 1989
Shoreline Amphitheatre

Strong Jerry solo.
show more submissions

Comments

China Cat Sunflower -> I Know You Rider
June 22, 1973
Pacific Coliseum

Octane level transition jam, hooks left and right, Weir flying, Garcia dipping, Lesh interweaving. One of the greatest China>Riders to ever be recorded on tape--bar none-. The transition could be one of the finest ever.
Bird Song
Oct. 18, 1972
Fox Theater

An especially poignant. I too dug the lead out of the vocal reprise. Particularly jazzy, Billy is on, very strong interplay between all. Lucid and soaring, one of my top shows and versions of 72'. A very cosmic experience, from entrance to finale, the Dark Star>Dew from in the second set, is, let me tell you, one hell of a trip. If anything listen to that, but you'd be missing out on this Bird Song and a bunch of other noteworthy renditions of other classics, so just listen to the whole thing, not a disappointing moment throughout.
He's Gone
Oct. 9, 1984
The Centrum

Gospel Church style extended vocals and riffing. Crowd is all over it, you can hear them going wild. Very strong version and a bluesy segue into Smokestack, choice stuff.
China Cat Sunflower -> I Know You Rider
May 20, 1973
U.C.

Something about this one, it just flows-thats it- flows. Peaks at an incendiary level leading into the Rider, something in which is always a good barometer-- especially when the 1st set is still going-- that the band is on. The transition- as Carrion aptly described- is perfect. The Rider is a-typical of the period and the year, very strong, with excellent Garcia leads. Vocals, cant blame Garcia he has a cold- but it still doesn't detract from the listening experience.
Hell in a Bucket
July 8, 1987
Roanoke Civic Center

Righteous and thundering. Weir gets into it and Garcia shreds.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)