headyversion

find the best versions of grateful dead songs

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Submissions

11
China Doll
Oct. 29, 1973
Kiel Auditorium

Hits a moment of near complete silence. A beautiful segue from eyes into china doll.
11
Casey Jones
Dec. 16, 1992
Oakland Coliseum Arena

Really fun latter day version. I believe it is the second to last played. The boys get into it, and reassure the crowd they arent quite done yet.
15
Samson and Delilah
Dec. 16, 1992
Oakland Coliseum Arena

Rippin' version. Some dialed in rage from Jerry coming with some ferocious solos.
14
Stuck Inside of Mobile with the Memphis Blues Again
Dec. 16, 1992
Oakland Coliseum Arena

Bobby gets into it, in great fashion. A quick charge through a Dylan Cover. Bursting energy throughout
14
Not Fade Away
June 4, 1977
The Forum

Absolutely nuts version. Twice as fast as usual, I would stack this up with cornell.
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Comments

China Cat Sunflower -> I Know You Rider
June 22, 1973
Pacific Coliseum

Octane level transition jam, hooks left and right, Weir flying, Garcia dipping, Lesh interweaving. One of the greatest China>Riders to ever be recorded on tape--bar none-. The transition could be one of the finest ever.
Bird Song
Oct. 18, 1972
Fox Theater

An especially poignant. I too dug the lead out of the vocal reprise. Particularly jazzy, Billy is on, very strong interplay between all. Lucid and soaring, one of my top shows and versions of 72'. A very cosmic experience, from entrance to finale, the Dark Star>Dew from in the second set, is, let me tell you, one hell of a trip. If anything listen to that, but you'd be missing out on this Bird Song and a bunch of other noteworthy renditions of other classics, so just listen to the whole thing, not a disappointing moment throughout.
He's Gone
Oct. 9, 1984
The Centrum

Gospel Church style extended vocals and riffing. Crowd is all over it, you can hear them going wild. Very strong version and a bluesy segue into Smokestack, choice stuff.
China Cat Sunflower -> I Know You Rider
May 20, 1973
U.C.

Something about this one, it just flows-thats it- flows. Peaks at an incendiary level leading into the Rider, something in which is always a good barometer-- especially when the 1st set is still going-- that the band is on. The transition- as Carrion aptly described- is perfect. The Rider is a-typical of the period and the year, very strong, with excellent Garcia leads. Vocals, cant blame Garcia he has a cold- but it still doesn't detract from the listening experience.
Hell in a Bucket
July 8, 1987
Roanoke Civic Center

Righteous and thundering. Weir gets into it and Garcia shreds.
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