headyversion

find the best versions of grateful dead songs

please login or register.

hvd

sleuth

+21555


Submissions

5
Bertha
Sept. 7, 1983
Red Rocks Amphitheater

Soulful, melodic soloing, with Phil interweaving with bombs. On the AUD (Charlie Miller) Phil is clearly audible, its thunder. Certified grade A.
3
Mexicali Blues
June 30, 1973
Universal Amphitheatre

Cowboy western polka at its finest
6
Morning Dew
June 29, 1973
Universal Amphitheatre

Powerful and forceful; Rising and falling, opening; Shattering, weeping; Closing and crashing.
7
The Other One
June 29, 1973
Universal Amphitheatre

Tearing a hole in the mind, spinning and drilling right into the cortex; Feel the pulse, the synergy; The twilight zone
4
Shakedown Street
March 2, 1981
Cleveland Music Hall

Smooth and funky; Garcia's tone is just right; Lesh is cruising; very strong opener.

Comments

Turn On Your Love Light
March 24, 1970
Pirates World

Crow you deserve the same recognition. Thanks, friend.
Dark Star
Feb. 24, 1974
Winterland Arena

China Cat Sunflower -> I Know You Rider
Feb. 24, 1974
Winterland Arena

A mellow cat, hard charging into a blissful transition through a groovy MLB back again into the slinky bounding of an approaching rider flying down through the blistering heat of a colorado freight train-- a deep groove cooks this Rider, until you know it well, and when it concludes the pair has already punched you head first into oblivion.
Turn On Your Love Light
Feb. 14, 1970
Fillmore East

Edit to my previous comment, Carrion_Crow has found my mistake. In-fact I was made confused by the lack of listing on setlist.net, as it turns out from multiple places, including the Archive, it seems that the Early show that took place on 2/14 included a Lovelight. The setlist.net I presume does not account for the early show. My apologies, guys.
The Other One
Feb. 23, 1974
Winterland Arena

Phil and Jerry trade notes and space is entered with tripodial aliens bounding with massive steps. Garcia drags this fatal space into a tiger where the forest shakes. The dimensions coalesce into a slipknot before the space expands again into the verse. Gets deep.