headyversion

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Submissions

7
Good Lovin'
Feb. 19, 1971
Capitol Theater

20 min. Pig rap-fest; Heavy and fast barnburner, thunderous drums, and nimble bass
10
The Other One
Feb. 19, 1971
Capitol Theater

Three from the Vault version; Tumbling, fiery, madness, Garcia lights this one up; The bus stopped by at the Capitol Theater, did you get on?
16
Scarlet Begonias -> Fire On The Mountain
May 5, 1981
Glens Falls Civic Center

Melodic and creative soloing throughout; the transition (">") is absolutely on fire, musical communication between instruments is on point
10
Althea
May 12, 1981
Veterans' Memorial Coliseum

Sweet and funky
11
Scarlet Begonias -> Fire On The Mountain
Dec. 28, 1986
Henry J. Kaiser Convention Center

Not a spectacular show by any means; This S>F however is very strong, Garcia officially back from the dead
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Comments

High Time
May 17, 1977
Memorial Coliseum

As good a version as you will ever hear
Jack A Roe
May 6, 1981
Nassau Coliseum

This has a real authentic sense to it. Sounds slightly Irish and the fills are reminiscent of some folk influences, and I love the way garcias voice molds with the lyrics. Some good energy but I wouldn't necessarily call it hot. All in all a great jack a roe.
Me and My Uncle
June 21, 1971
Chateau d'Herouville

Heard of this famous Chateau, but never heard this show. Its a good one, thats for sure. Thanks for pointing this one out. I can always count on your picks from 1971. This M&mU has some nice rhythmic patterns, and a strong concise solo.
Bird Song
Oct. 20, 1984
Carrier Dome, Syracuse U

Soars...
Sugaree
May 19, 1977
Fox Theatre

In this version Garcia's solos are exceedingly emotional. Outside of the band, perhaps something important may have been on his mind. He plays his emotions right through the strings, and right through the vocals. So heartfelt, so emotive, and so good. This is a version to remember, and is a good representation of Garcia's advanced guitar skill. Show this to any nay-sayer and if they don't turn in to Garcia's skill then they have an ugly misconception of how to judge a guitar player.
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