headyversion

find the best versions of grateful dead songs

please login or register.

hvd

sleuth

+21565


Submissions

18
Shakedown Street
April 26, 1984
Providence Civic Center

Laser effects from Brent's hammond, collective funk with downright blazing passages; On par with NYE 84', Smoking X-factor opener
7
Drums -> Space
April 1, 1984
Marin County Veterans Auditorium

Drums -> Space the opportunity to find ones way to Neptune, this Space achieves liftoff and descent in transitioning into a blissful Dew
9
Cassidy
April 1, 1984
Marin County Veterans Auditorium

X factor jamming with Garcia playing some unique soaring leads in the modal scale. Ending jam has similarities to a strong version on 10/12/83.
3
Sugar Magnolia
May 13, 1973
Iowa State Fairgrounds

Garcia on fire
6
Wharf Rat
Oct. 18, 1978
Winterland Arena

Comments

High Time
May 17, 1977
Memorial Coliseum

As good a version as you will ever hear
Jack A Roe
May 6, 1981
Nassau Coliseum

This has a real authentic sense to it. Sounds slightly Irish and the fills are reminiscent of some folk influences, and I love the way garcias voice molds with the lyrics. Some good energy but I wouldn't necessarily call it hot. All in all a great jack a roe.
Me and My Uncle
June 21, 1971
Chateau d'Herouville

Heard of this famous Chateau, but never heard this show. Its a good one, thats for sure. Thanks for pointing this one out. I can always count on your picks from 1971. This M&mU has some nice rhythmic patterns, and a strong concise solo.
Bird Song
Oct. 20, 1984
Carrier Dome, Syracuse U

Soars...
Sugaree
May 19, 1977
Fox Theatre

In this version Garcia's solos are exceedingly emotional. Outside of the band, perhaps something important may have been on his mind. He plays his emotions right through the strings, and right through the vocals. So heartfelt, so emotive, and so good. This is a version to remember, and is a good representation of Garcia's advanced guitar skill. Show this to any nay-sayer and if they don't turn in to Garcia's skill then they have an ugly misconception of how to judge a guitar player.