headyversion

find the best versions of grateful dead songs

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Submissions

7
Good Lovin'
Feb. 19, 1971
Capitol Theater

20 min. Pig rap-fest; Heavy and fast barnburner, thunderous drums, and nimble bass
10
The Other One
Feb. 19, 1971
Capitol Theater

Three from the Vault version; Tumbling, fiery, madness, Garcia lights this one up; The bus stopped by at the Capitol Theater, did you get on?
16
Scarlet Begonias -> Fire On The Mountain
May 5, 1981
Glens Falls Civic Center

Melodic and creative soloing throughout; the transition (">") is absolutely on fire, musical communication between instruments is on point
10
Althea
May 12, 1981
Veterans' Memorial Coliseum

Sweet and funky
11
Scarlet Begonias -> Fire On The Mountain
Dec. 28, 1986
Henry J. Kaiser Convention Center

Not a spectacular show by any means; This S>F however is very strong, Garcia officially back from the dead
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Comments

Deal
Dec. 5, 1971
Felt Forum - Madison Square Garden

Jerry's solo is concise and powerful. All in all this version represents the prototypical way in which this song should be played. Not too quick, not too slow, and a nice bouncy country-rock vibe, really solid rendition here.
Tennessee Jed
Dec. 5, 1971
Felt Forum - Madison Square Garden

Agree with above statement, don't be dumb people! Check this one out, and while your at it listen to the whole show.
I Wash My Hands
Dec. 5, 1971
Felt Forum - Madison Square Garden

Song is also known as Muddy Water. This version is certainly on point. Don't know of many versions, but if anything this version should be listened by all who are looking for something new and a little different.
Eyes Of The World
May 17, 1974
P.N.E. Coliseum

Underrated version that needs some more recognition. Jerry and Phil, as stated above, indeed play in and out of each other with some excellent jazzy interplay.
Eyes Of The World
Oct. 29, 1977
Evans Field House, Northern Illinois University

Easily one of the best versions ever played. Garcia provides an emotional performance, both instrumentally and vocally. The jamming is fluid, jazzy, and mysterious.
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