headyversion

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Submissions

15
Help On The Way > Slipknot > Franklin's Tower
April 21, 1984
Philadelphia Civic Center

A quick and driven entrance into the Help featuring Brent and Phil filling elusively and Jerry nailing it; Very intricate Knot; Infectious Franklins.
4
New Minglewood Blues
April 21, 1984
Philadelphia Civic Center

A roaring Minglewood; Check Weir's good slide solo, Garcia's ripping solo; Some fat Phil and some Gospel Brent.
4
Friend of the Devil
April 21, 1984
Philadelphia Civic Center

Poignant yet not somber, slow but not dragging; Mellow serene and emotive; Very strong full band interplay.
12
Scarlet Begonias -> Fire On The Mountain
Dec. 31, 1984
SF Civic

Headiness such as this excluded? THIS S>F is downright profound. Perhaps due to the passing of Parish's wife and daughter, Garcia adds some dark vibes
6
Loser
April 26, 1984
Providence Civic Center

Saloon distant gambling vibe dark and killer
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Comments

Deal
Dec. 5, 1971
Felt Forum - Madison Square Garden

Jerry's solo is concise and powerful. All in all this version represents the prototypical way in which this song should be played. Not too quick, not too slow, and a nice bouncy country-rock vibe, really solid rendition here.
Tennessee Jed
Dec. 5, 1971
Felt Forum - Madison Square Garden

Agree with above statement, don't be dumb people! Check this one out, and while your at it listen to the whole show.
I Wash My Hands
Dec. 5, 1971
Felt Forum - Madison Square Garden

Song is also known as Muddy Water. This version is certainly on point. Don't know of many versions, but if anything this version should be listened by all who are looking for something new and a little different.
Eyes Of The World
May 17, 1974
P.N.E. Coliseum

Underrated version that needs some more recognition. Jerry and Phil, as stated above, indeed play in and out of each other with some excellent jazzy interplay.
Eyes Of The World
Oct. 29, 1977
Evans Field House, Northern Illinois University

Easily one of the best versions ever played. Garcia provides an emotional performance, both instrumentally and vocally. The jamming is fluid, jazzy, and mysterious.
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