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Submissions

6
Easy Wind
March 21, 1970
Capitol Theater

Exceptional jamming with a great solo from Weir. Jerry and Bob feed off each other the whole time. Unfortunately, tape cut ends it abruptly.
23
I Need A Miracle
Jan. 15, 1979
Springfield Civic Center

Miracle>>Shakedown. Mind-blowing smooth transition. Energized version, but really this one sticks out for the transition.
11
Sunrise
Oct. 2, 1977
Paramount Theatre

Garcia nails the solo
2
He's Gone
Sept. 29, 1977
Paramount Theatre

Great version, from an unheralded show.
4
Sugaree
Sept. 29, 1977
Paramount Theatre

A shifted gear in the set sends this one up a notch, punchy and powerful emotive soloing.

Comments

Dark Star
Sept. 19, 1970
Fillmore East

Required listening. From when the bell tolls to when the rhythm kicks and snares. From when the ground erupts with radiant energy to when the blue cold freezes over, to when, when the night collapses, everything silently, slowly, coalesces into nothingness, the quiet solitude of nothing, but as the layers proceed to dissipate and the structure returns; as the wholeness and harmony of beauty crawl back into fruition and yell and jump and probe the frozen turf before melting beneath layers of oozing kerosene, the final verse is reached. The dark whispers into the beaming radiance of melody, one of the greats, don't miss this.
The Eleven
June 14, 1968
Fillmore East

Blazing, out of feedback, with power.
St. Stephen
June 14, 1968
Fillmore East

Ferocious, chaotic, scrambled and powerful. Just massive. Sound issues are rampant, ignore them and listen to the raw tenacity.
Viola Lee Blues
Feb. 2, 1968
Crystal Ballroom

A loud, heavy, dark, driven churn. Rips like a chainsaw.
Good Morning Little Schoolgirl
Feb. 2, 1968
Crystal Ballroom

Just a sweaty blues power-house. Pig reigns down the news with authority. Churning slow-boil and forceful interplay. Harmonica and guitar complement. Things are raw and primal here, a showcase.