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Submissions

6
St. Stephen
May 6, 1970
Kresge Plaza - MIT

The jam during this blows me away every time. Pure psychedelic bliss. An argument could easily be made that this is the definitive version.
13
Easy Wind
April 4, 1971
Manhattan Center

Powerful and driving blues jam, with a unique ending. Garcia tears this one up, and Lesh provides a great hollow bass sound.
9
Nobody's Fault But Mine
May 20, 1973
U.C.

Off the rails, intense blues jamming.
6
Eyes Of The World
April 8, 1991
Orlando Arena

Relaxed, controlled, and tight. Garcia owns this one.
5
New Minglewood Blues
May 19, 1966
Avalon Ballroom

Insane early version. Weir goes off on the vocals, and there is some energetic old time Dead jamming.

Comments

Dark Star
Sept. 19, 1970
Fillmore East

Required listening. From when the bell tolls to when the rhythm kicks and snares. From when the ground erupts with radiant energy to when the blue cold freezes over, to when, when the night collapses, everything silently, slowly, coalesces into nothingness, the quiet solitude of nothing, but as the layers proceed to dissipate and the structure returns; as the wholeness and harmony of beauty crawl back into fruition and yell and jump and probe the frozen turf before melting beneath layers of oozing kerosene, the final verse is reached. The dark whispers into the beaming radiance of melody, one of the greats, don't miss this.
The Eleven
June 14, 1968
Fillmore East

Blazing, out of feedback, with power.
St. Stephen
June 14, 1968
Fillmore East

Ferocious, chaotic, scrambled and powerful. Just massive. Sound issues are rampant, ignore them and listen to the raw tenacity.
Viola Lee Blues
Feb. 2, 1968
Crystal Ballroom

A loud, heavy, dark, driven churn. Rips like a chainsaw.
Good Morning Little Schoolgirl
Feb. 2, 1968
Crystal Ballroom

Just a sweaty blues power-house. Pig reigns down the news with authority. Churning slow-boil and forceful interplay. Harmonica and guitar complement. Things are raw and primal here, a showcase.