headyversion

find the best versions of grateful dead songs

please login or register.

hvd

sleuth

+21165


Submissions

7
Cryptical Envelopment
Oct. 13, 1968
Avalon Ballroom

From a painful whisper to pure lightening, an enveloping force of nature
6
Death Don't Have No Mercy
Oct. 13, 1968
Avalon Ballroom

Dark, moody, and soulful. A searing guitar solo, a purely haunted version. An evocation of the deep unharnessed power that controls the fatal cycle.
3
Turn On Your Love Light
Dec. 2, 1971
Boston Music Hall

Pulsing and free. Bill sounds like he has triple the arms. Pig sweats some blues, Garcia liquifies. Lock yourself in, strap up, and don't look back.
8
Dancin' in the Streets
June 3, 1976
Paramount Theatre

Churns, plays itself out, factor playing. Energetic, smooth as smooth.
4
Cryptical Envelopment
Dec. 29, 1968
Gulfstream Park Race Track

Peaks and melts in all kinds of directions

Comments

Clementine
Jan. 20, 1968
Eureka Municipal Auditorium

A time-warp. Red roses and velvet. Jazzy and smooth, a trip through the time and rhythms that be. Like a snowflake in summer and a blue swirling lake, curls like the winter, and sings like a saint.
New Potato Caboose
Jan. 20, 1968
Eureka Municipal Auditorium

Heavy, organic train of smoldering ash and coal
The Eleven
Oct. 13, 1968
Avalon Ballroom

Coralsandbelow has posed a question, a tough one at that, better than 10/12!? Impossible you say. The Eleven, obviously 10.12, that monster, is undoubtedly unbeatable, at least for 1968. That powerhouse, full-out sprinting joyful eleven minute exhalation. Clean cold frosty breath, metallic energy, and primal raw energy, at a certain apex, an apex of psychedelic power. You say this after you hear 10.12, however, where were you when 10.13 was to get its air time? After listening to 10.12, the Eleven that is, and then listening to 10.13, the twelfth sounds like a warm-up, the heat, following that brilliant 10.12 madness, comes in like a steam locomotive drilling hundreds of miles per hour, off the rails and crushing undergrowth, wrecking havoc on all about, a power unbridled, unharnessed, raw and free. Like a flowing brook, a stream, in darkness, rapid and overflowing the banks, pouring rain, and cracking thunder. This is 10.13 THE Eleven you must hear.
Eyes Of The World
Feb. 28, 1973
Salt Palace

"Majestic"--to quote Carrion's apt description--floating on a thin iridescent air, maneuvering silently from the depths of The Other One, melting into a smooth frenzy. Fills, capturing, the heart of the melody, and a Dirt Jam, as explosive as they come. The band is sufficiently warmed up and hot coming out of The Other One, a monster at that, and are just biting their chops, they give this one a smooth reading. Just fantastic, really, they're all on.
Sugaree
Oct. 16, 1977
Louisiana State U

A version that clearly has the band clicking on all cylinders. Peak after peak led by the tones of Garcia and Lesh, a meld of telepathic control, the drummers, control the pace with an effective tone, an emotionally riveting performance. Every fill every nuance, one of the best.