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Submissions

5
Bertha
Nov. 6, 1971
Harding Theater

Extended and ripping. Tape has a few sound issues, but its listenable. Sick version.
12
Let It Grow
Jan. 31, 1978
Uptown Theater

Blistering...
4
Let It Grow
July 17, 1988
Greek Theater - University of California

On point, quick, and plain sick.
3
Bird Song
Dec. 12, 1994
Sports Arena

16 minutes, with trippy vibes going on throughout. Sick jamming, vocals are not too bad, but could be better.
4
Bird Song
June 19, 1988
Alpine Valley Music Theatre

This one lifts off. Massive rendition. Garcia melodically pushes this one to multiple peaks, a fantastic version.

Comments

Clementine
Jan. 20, 1968
Eureka Municipal Auditorium

A time-warp. Red roses and velvet. Jazzy and smooth, a trip through the time and rhythms that be. Like a snowflake in summer and a blue swirling lake, curls like the winter, and sings like a saint.
New Potato Caboose
Jan. 20, 1968
Eureka Municipal Auditorium

Heavy, organic train of smoldering ash and coal
The Eleven
Oct. 13, 1968
Avalon Ballroom

Coralsandbelow has posed a question, a tough one at that, better than 10/12!? Impossible you say. The Eleven, obviously 10.12, that monster, is undoubtedly unbeatable, at least for 1968. That powerhouse, full-out sprinting joyful eleven minute exhalation. Clean cold frosty breath, metallic energy, and primal raw energy, at a certain apex, an apex of psychedelic power. You say this after you hear 10.12, however, where were you when 10.13 was to get its air time? After listening to 10.12, the Eleven that is, and then listening to 10.13, the twelfth sounds like a warm-up, the heat, following that brilliant 10.12 madness, comes in like a steam locomotive drilling hundreds of miles per hour, off the rails and crushing undergrowth, wrecking havoc on all about, a power unbridled, unharnessed, raw and free. Like a flowing brook, a stream, in darkness, rapid and overflowing the banks, pouring rain, and cracking thunder. This is 10.13 THE Eleven you must hear.
Eyes Of The World
Feb. 28, 1973
Salt Palace

"Majestic"--to quote Carrion's apt description--floating on a thin iridescent air, maneuvering silently from the depths of The Other One, melting into a smooth frenzy. Fills, capturing, the heart of the melody, and a Dirt Jam, as explosive as they come. The band is sufficiently warmed up and hot coming out of The Other One, a monster at that, and are just biting their chops, they give this one a smooth reading. Just fantastic, really, they're all on.
Sugaree
Oct. 16, 1977
Louisiana State U

A version that clearly has the band clicking on all cylinders. Peak after peak led by the tones of Garcia and Lesh, a meld of telepathic control, the drummers, control the pace with an effective tone, an emotionally riveting performance. Every fill every nuance, one of the best.