headyversion

find the best versions of grateful dead songs

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Submissions

45
China Cat Sunflower -> I Know You Rider
Dec. 9, 1981
Activity Center - University of Colorado

This is just sick.. period.
30
Deal
Feb. 5, 1978
Uni Dome, U of Northern Iowa

Jerry's solo during this is one of the highlights of his career. An incredibly brilliant deal.
4
Eyes Of The World
Aug. 29, 1983
Silva Hall, Hult Center

Pure shredding by Jerry. This is one of the fastest eyes I have ever heard. This is one coked out eyes, blazing, killer version.
8
China Cat Sunflower -> I Know You Rider
Aug. 29, 1983
Silva Hall, Hult Center

This is a killer. Definitely one of best of 83' this version is pure magic. Just listen to this china jam, you will be blown away.
17
Big River
Sept. 27, 1972
Stanley Theatre

This version just explodes out of the box, and jumps right out at you. Everything you want from a big river is right here.

Comments

Clementine
Jan. 20, 1968
Eureka Municipal Auditorium

A time-warp. Red roses and velvet. Jazzy and smooth, a trip through the time and rhythms that be. Like a snowflake in summer and a blue swirling lake, curls like the winter, and sings like a saint.
New Potato Caboose
Jan. 20, 1968
Eureka Municipal Auditorium

Heavy, organic train of smoldering ash and coal
The Eleven
Oct. 13, 1968
Avalon Ballroom

Coralsandbelow has posed a question, a tough one at that, better than 10/12!? Impossible you say. The Eleven, obviously 10.12, that monster, is undoubtedly unbeatable, at least for 1968. That powerhouse, full-out sprinting joyful eleven minute exhalation. Clean cold frosty breath, metallic energy, and primal raw energy, at a certain apex, an apex of psychedelic power. You say this after you hear 10.12, however, where were you when 10.13 was to get its air time? After listening to 10.12, the Eleven that is, and then listening to 10.13, the twelfth sounds like a warm-up, the heat, following that brilliant 10.12 madness, comes in like a steam locomotive drilling hundreds of miles per hour, off the rails and crushing undergrowth, wrecking havoc on all about, a power unbridled, unharnessed, raw and free. Like a flowing brook, a stream, in darkness, rapid and overflowing the banks, pouring rain, and cracking thunder. This is 10.13 THE Eleven you must hear.
Eyes Of The World
Feb. 28, 1973
Salt Palace

"Majestic"--to quote Carrion's apt description--floating on a thin iridescent air, maneuvering silently from the depths of The Other One, melting into a smooth frenzy. Fills, capturing, the heart of the melody, and a Dirt Jam, as explosive as they come. The band is sufficiently warmed up and hot coming out of The Other One, a monster at that, and are just biting their chops, they give this one a smooth reading. Just fantastic, really, they're all on.
Sugaree
Oct. 16, 1977
Louisiana State U

A version that clearly has the band clicking on all cylinders. Peak after peak led by the tones of Garcia and Lesh, a meld of telepathic control, the drummers, control the pace with an effective tone, an emotionally riveting performance. Every fill every nuance, one of the best.