headyversion

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Submissions

7
Cryptical Envelopment
Oct. 13, 1968
Avalon Ballroom

From a painful whisper to pure lightening, an enveloping force of nature
6
Death Don't Have No Mercy
Oct. 13, 1968
Avalon Ballroom

Dark, moody, and soulful. A searing guitar solo, a purely haunted version. An evocation of the deep unharnessed power that controls the fatal cycle.
3
Turn On Your Love Light
Dec. 2, 1971
Boston Music Hall

Pulsing and free. Bill sounds like he has triple the arms. Pig sweats some blues, Garcia liquifies. Lock yourself in, strap up, and don't look back.
8
Dancin' in the Streets
June 3, 1976
Paramount Theatre

Churns, plays itself out, factor playing. Energetic, smooth as smooth.
4
Cryptical Envelopment
Dec. 29, 1968
Gulfstream Park Race Track

Peaks and melts in all kinds of directions
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Comments

Black Peter
June 30, 1973
Universal Amphitheatre

Darker than some and tighter than most, slow, controlled, and powerful, like a waterfall Garcia cascades his notes with a light meaningful luminescent touch, eluting away the sun and uncovering the moon, the clouds pass over, slowly, meandering thoughtlessly through the atmosphere, wisely keeping silence. In terms of soul and lyrical portraiture, this is one of the better ones i've heard.
Row Jimmy
June 30, 1973
Universal Amphitheatre

Passionate vocalizations emitting from Garcia leading clearly into fills which lead back in and out of the lyrics, thus setting up well, pacing wise, the solos which reach some elusively bright heights. Strong version- definitely on the mellower side and thats a good thing.
Cumberland Blues
June 30, 1973
Universal Amphitheatre

Smoker to the first degree. Cuts its way into the core, and heats up, sick version.
They Love Each Other
June 30, 1973
Universal Amphitheatre

Can't go wrong, its impossible, with TLEO in 73'. A bouncy version, accomplishes the goods. Fills are curvy, punchy, and clear, a real heater.
He's Gone
June 26, 1973
Seattle Center Coliseum

Thoroughly enjoyed this one, Keith's piano makes it.
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