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Submissions

13
Brown Eyed Women
May 4, 1977
The Palladium

I had forgotten how much I love this show! From BEW to the end this show provides some exemplary playing. This BEW is butter, clean as a whistle.
12
Me and My Uncle
Dec. 12, 1969
Thelma Theater

Very, very tight version. Weir goes crazy, and screams. Really good rendition, in a hot show.
15
Sugaree
Nov. 24, 1978
Capitol Theatre

Garcia gives it his all. Rippin' solos, and clear concise leads. Voice is a little rough, but he manages to hit pretty high levels of insanity.
12
West L.A. Fadeaway
Dec. 31, 1988
Oakland Coliseum Arena

Big version w/ Clarence Clemons on sax
11
West L.A. Fadeaway
Sept. 30, 1989
Shoreline Amphitheatre

Strong Jerry solo.

Comments

Black Peter
June 30, 1973
Universal Amphitheatre

Darker than some and tighter than most, slow, controlled, and powerful, like a waterfall Garcia cascades his notes with a light meaningful luminescent touch, eluting away the sun and uncovering the moon, the clouds pass over, slowly, meandering thoughtlessly through the atmosphere, wisely keeping silence. In terms of soul and lyrical portraiture, this is one of the better ones i've heard.
Row Jimmy
June 30, 1973
Universal Amphitheatre

Passionate vocalizations emitting from Garcia leading clearly into fills which lead back in and out of the lyrics, thus setting up well, pacing wise, the solos which reach some elusively bright heights. Strong version- definitely on the mellower side and thats a good thing.
Cumberland Blues
June 30, 1973
Universal Amphitheatre

Smoker to the first degree. Cuts its way into the core, and heats up, sick version.
They Love Each Other
June 30, 1973
Universal Amphitheatre

Can't go wrong, its impossible, with TLEO in 73'. A bouncy version, accomplishes the goods. Fills are curvy, punchy, and clear, a real heater.
He's Gone
June 26, 1973
Seattle Center Coliseum

Thoroughly enjoyed this one, Keith's piano makes it.