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find the best versions of grateful dead songs

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iknowyourider90

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Submissions

1
The Wheel
Dec. 27, 1990
Coliseum Arena

Love 1990-91 "The Wheel"'s. They played it at a tempo similar to the original studio version. More urgency and intensity to it.
1
Jack Straw
Dec. 27, 1990
Coliseum Arena

Barnburner, scorcher, etc. There isn't a bad Bruce-era "Jack Straw."
1
Sugaree
Dec. 27, 1990
Coliseum Arena

A very strong version. Bruce and Jerry seemed to always play off each other well on "Sugaree."
2
New Minglewood Blues
March 16, 1994
Rosemont Horizon

Killer version from a Top 5 show from 1994. Vince and Jerry are on and Bob means every word.
3
Stella Blue
Oct. 31, 1980
Radio City Music Hall

Lovely.

Comments

Sugar Magnolia
Oct. 5, 1994
The Spectrum

This is worthy of some votes. Jerry plays some fantastic runs at the end with Bobby shredding behind him. An excellent version.
Feel Like A Stranger
Oct. 19, 1994
Madison Square Garden

Amazingly, I think this run I think was in some ways more consistent than 1991. There were some great ones at that one but some duds as well. They were remarkably on for most of this run, and it's clear they were trying hard. It's 1994, so there's some warts, but damn, overall, they killed it.
Gimme Some Lovin'
Sept. 15, 1990
Madison Square Garden

Whose boneheaded idea was it to let Phil sing co-lead? Should've just pawned it off to Bobby alone like some of the Pig songs. Probably best that they retired it, though.
Terrapin Station
March 24, 1990
Knickerbocker Arena

This is the one that ticks all the boxes for me: - Beautiful reading of "Lady with a Fan"? Check. - Powerful delivery of the "Inspiration" and "Terrapin!" refrain parts? Check. - Killer post-song jam? Check. I'll risk my credibility on this site by proclaiming this not just the best Brent version, but the best ever.
Terrapin Station
Feb. 26, 1977
Swing Auditorium

I judge my "Terrapin"'s by how triumphant and anthemic the "Inspiration" and "Terrapin" refrain part sounds; after the Abbey Road medley, I consider the Terrapin suite as a whole to be the greatest long-form suite of music in rock and roll. This being the first "Terrapin," the whole song including the key "Terrapin!" refrain is given a very tentative run-through. Musically, it's very precise and direct, with no bungles in a technical sense, but the majesty that infuses so many future versions just isn't there. Give me 3/24/90 over this one any day.