Dark Star
Oct. 19, 1973
Oklahoma City Fairgrounds Arena
Gorgeously patient and understated version, featuring tremendous group interplay leading into the first (and only) verse at about the twelve minute mark. The way Jerry’s guitar echoes his plaintive vocals during the verse sounds almost like a theremin and is particularly haunting. A strange bass-led jam follows the first verse - genuine weirdness for three minutes or so but it’s not a total freakout jam — that comes later. Out of the weirdness, Jerry begins some some mellow slide runs and we get our first hints of a Mind Left Body Jam. Nothing feels rushed, as the band takes its time climbing on board, but when Bob begins the familiar descending run of chords that define the MLB jam, we’ve got the band firing on all cylinders. This is a full-blown Mind Left Body Jam that features some astounding band interplay with shifting tempos and dynamics for about four minutes and it’s just sublime. Towards the end of the jam Jerry switches from slide playing to fingerpicking but the haunting effect remains ever-present. This MLB jam is not quite as spine-tingling as the definitive 6/28/74 version but it has to be in the top 5 or so ever. Just gorgeous and textbook 1973 Dead. After the Mind Left Body Jam concludes, things very quickly descend into the scary zone with a menacing freakout jam that gets your blood pressure up but doesn’t overstay its welcome. Instead it fades into benign, spare, spaciness until eventually transitioning seamlessly into a stunning Morning Dew. This Dark Star> Mind Left Body Jam> Morning Dew is why we listen to the Grateful Dead. Incidentally, the Dick’s Picks recording is wonderful, as it seems to captures more crowd noise and “hall ambience” than is typical for a Dick’s Picks release.