headyversion

find the best versions of grateful dead songs

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marmonhammer

⚡️❤️⚡️

+562


Submissions

2
Sugar Magnolia
Feb. 22, 1974
Winterland Arena

A Keith stunner! Laying it down on this swingin’ version to nearly close the show. Yowza!
1
Might As Well
April 13, 1983
Patrick Gymnasium, U of Vermont

Jerry saves a rough 1st set!
1
Mama Tried
Aug. 12, 1981
Salt Palace

Jerry going HAM on this short + sweet version from an all-time show!
3
Passenger
Feb. 26, 1981
Uptown Theater

Huge + screaming + stunning ‘81 version!!!
1
Drums -> Space
Aug. 12, 1981
Salt Palace

Spanish Space: “Estimated Prophet>Eyes of the World>Drums>Space>Spanish Jam>Truckin’>Morning Dew>Around and Around>Good Lovin’”!!!

Comments

Help On The Way > Slipknot > Franklin's Tower
April 23, 1977
Springfield Civic Center

Nobody’s upset about anything, Seaplant; just always interested in the level of research that the good listeners are doing before they vote on songs. How many versions do you typically listen to before proclaiming one to be better than another…? (Which is far different than saying: “I love this one, for “xxx” reason!”)
Deal
Jan. 10, 1978
Shrine Auditorium

Again, very indicative of the show. No highlights, but hot as fuck.
Sunrise
Jan. 10, 1978
Shrine Auditorium

Fuck yeah, Donna! (And fuck absolutely anyone who doesn’t get down with the DG! If you don’t like her, you should’ve confronted Jerry face-to-face back in the day, to tell him how much his musical choices for the band sucked. You wouldn’t have lasted a day inside the band/on tour, yet she fuckin’ owned it for years. Here’s an Angel for you to make your complaint to…)
Me and My Uncle
Jan. 10, 1978
Shrine Auditorium

“Fuck yeah!” version! Everybody in high gear!
Bertha
Jan. 10, 1978
Shrine Auditorium

Holy-fuckin’-smokes! Jerr is almost just exactly perfectly on it, which is good enough, and he’s rippin’ (along with everyone else) until the 4:30 “I had to move” breakdown (Miller mix), when they all lay down an absolutely all-time sequence that should go down in the annals as a hall-of-fame + mind-blowing 30 seconds. This is why we listen to this band. (3 votes, as of this writing = ugh. Where is everybody…?!)