headyversion

find the best versions of grateful dead songs

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merryjerry

wacked

+6595


Submissions

16
Help On The Way > Slipknot > Franklin's Tower
Sept. 19, 1990
Madison Square Garden

A big version. Listen as the baton gets passed without missing a beat.
5
Big River
Sept. 19, 1990
Madison Square Garden

An A1 performance that just improves with repeated listenings.
5
They Love Each Other
April 13, 1983
Patrick Gymnasium, U of Vermont

A bull's ass in fly season and the boys on this one are both TIGHT!!! (Although tight might not be the correct word for an awesome TLEO.)
19
Brokedown Palace
Sept. 28, 1972
Stanley Theatre

While not without imperfection, this version gets at that misty quality central to the ethos of the tune.
69
The Wheel
Feb. 3, 1978
Dane County Coliseum

A thin slice of sublime cheese in an earwateringly delicious sandwich: EP>Eyes>Playin'>Wheel>Playin' Reprise.

Comments

The Other One
Nov. 20, 1973
Denver Coliseum

Tremendous flow from one theme to another, and then it falls nicely into Stella. A bit low on the list, I'd say.
Ramble On Rose
March 26, 1973
Baltimore Civic Center

Indeed, not a great rendereing per se, but it is definitely very cool when you hear those chords come banging in to kick this one off right after the Wolfman got the crowd to 'Light up'. And Jerry nails the Wolfman part, too. Definitely heady.
Wharf Rat
March 26, 1973
Baltimore Civic Center

Part of a great sequence. Jerry does a good job of singing his way through the lyrics that he temporarily can't seem to recall.
Truckin'
March 26, 1973
Baltimore Civic Center

If we count the lengthy jam at the end of this one (which we do around these parts), then this one is really, really good. The jam even has a fleshed out WRS Prelude (it's really not WRS--that was months away from its premier) that gets a little jam spread on it. It then gives way to more jamming. This is really good stuff. But start with the He's Gone first and let the whole sequence play through.
He's Gone
March 26, 1973
Baltimore Civic Center

Very nice version featuring good singing, sweet fills from Keith, and gentle power from Jerry on the outro jam. Part of a great sequence, as well.