headyversion

find the best versions of grateful dead songs

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merryjerry

wacked

+6595


Submissions

2
Bird Song
Sept. 28, 1993
Boston Garden

Wooden and crunchy. Nice interplay between Jerry and Phil. Vince blows little zephyrs.
8
So Many Roads
Sept. 28, 1993
Boston Garden

So much Dead to soothe my soul, and this is some of it. Tight.
7
China Cat Sunflower -> I Know You Rider
Aug. 26, 1971
Gaelic Park

When the going gets weird, Weir sings the headlight part.
15
Eyes Of The World
Oct. 11, 1977
Lloyd Noble Center - University of Oklahoma

This one doesn't have the shimmering lyricism of, say, 5/22/77, but the logic of Jerry's phrasing is a hoot.
10
The Other One
Aug. 20, 1972
San Jose Civic Auditorium

Needs to be on the map. Features a jam that seems to be based on Skydog's 'Little Martha' and a nice 'Tiger Jam', but that's not all...
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Comments

The Other One
Nov. 20, 1973
Denver Coliseum

Tremendous flow from one theme to another, and then it falls nicely into Stella. A bit low on the list, I'd say.
Ramble On Rose
March 26, 1973
Baltimore Civic Center

Indeed, not a great rendereing per se, but it is definitely very cool when you hear those chords come banging in to kick this one off right after the Wolfman got the crowd to 'Light up'. And Jerry nails the Wolfman part, too. Definitely heady.
Wharf Rat
March 26, 1973
Baltimore Civic Center

Part of a great sequence. Jerry does a good job of singing his way through the lyrics that he temporarily can't seem to recall.
Truckin'
March 26, 1973
Baltimore Civic Center

If we count the lengthy jam at the end of this one (which we do around these parts), then this one is really, really good. The jam even has a fleshed out WRS Prelude (it's really not WRS--that was months away from its premier) that gets a little jam spread on it. It then gives way to more jamming. This is really good stuff. But start with the He's Gone first and let the whole sequence play through.
He's Gone
March 26, 1973
Baltimore Civic Center

Very nice version featuring good singing, sweet fills from Keith, and gentle power from Jerry on the outro jam. Part of a great sequence, as well.
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