headyversion

find the best versions of grateful dead songs

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merryjerry

wacked

+6595


Submissions

11
Big River
Nov. 25, 1973
Feyline Field

Raw and raucous, this one packs quite a wallop for its size.
4
Eyes Of The World
Feb. 21, 1973
Assembly Hall, University Of Illinois

A mellow version featuring a rather unique outro portion for ’73. Truckin’>Eyes>Stella
16
New Minglewood Blues
May 28, 1977
Hartford Civic Center

One of those ‘I can’t believe it’s not here yet’s. This thing was forged from hot iron.
12
Morning Dew
Oct. 2, 1972
Springfield Civic Center

The satisfying conclusion of a good sequence. A sibling of 11/13/72.
8
Take A Step Back
Oct. 2, 1972
Springfield Civic Center

Bobby is pretty good on this one. It's right after 'Promised Land'.

Comments

The Other One
Nov. 20, 1973
Denver Coliseum

Tremendous flow from one theme to another, and then it falls nicely into Stella. A bit low on the list, I'd say.
Ramble On Rose
March 26, 1973
Baltimore Civic Center

Indeed, not a great rendereing per se, but it is definitely very cool when you hear those chords come banging in to kick this one off right after the Wolfman got the crowd to 'Light up'. And Jerry nails the Wolfman part, too. Definitely heady.
Wharf Rat
March 26, 1973
Baltimore Civic Center

Part of a great sequence. Jerry does a good job of singing his way through the lyrics that he temporarily can't seem to recall.
Truckin'
March 26, 1973
Baltimore Civic Center

If we count the lengthy jam at the end of this one (which we do around these parts), then this one is really, really good. The jam even has a fleshed out WRS Prelude (it's really not WRS--that was months away from its premier) that gets a little jam spread on it. It then gives way to more jamming. This is really good stuff. But start with the He's Gone first and let the whole sequence play through.
He's Gone
March 26, 1973
Baltimore Civic Center

Very nice version featuring good singing, sweet fills from Keith, and gentle power from Jerry on the outro jam. Part of a great sequence, as well.