A good cure for those 'No 'Cid Blues'. This one is a gem.

Part of the first Playin' sandwich. The transition back into Playin' is like the cops kicking your door in at 4 a.m. it is so sudden and surprising.

An aural honeypot capping a dynamite show.

A breezy and pleasant intro gives way to a monstrous intra-verse portion that features some 'Uncle John's Band'-themed jamming.

Serene, frenetic, diffuse, cluttered--in short, this one goes through more changes than David Bowie's hair. Pheatures a phleshed out 'Philo Stomp'.

Excellent. Jerry takes a nice, long and inspired lead that despite going many places never strays from the heart of the tune. Nice pick.

A Playin'>Comes a Time>Playin' sandwich. The jam starts a little pensive, like a door being opened onto a vast empty space, but nice things soon begin to happen. Indeed, there a couple of passages in this one that are just downright excellent.

I was inspired to revisit this version after reading about it on the archive recently and was hoping to read some comments about it here, only to find that it hadn't yet been listed. I had always remembered that the transition back into Playin' was very dramatic, like getting hit by a wave that you never saw coming. I was impressed by Jerry's singing. It seems as though he focuses on it to the point of excluding any flourishes or accents with his guitar, save for the solos of course. But that's okay, as the accompaniment is very tight: you could listen exclusively to any member on this performance and be well-rewarded. I'll only mention Keith by asking, Did he ever sound more like Bill Evans than here, with that crystalline-like sustain and airiness?

I agree, Grendel. Every vintage of the band had its own unique suite of peak-potentials, and this version definitely captures the magic that this vintage could create.

Very, very fine stuff.