headyversion

find the best versions of grateful dead songs

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Submissions

7
El Paso
Aug. 21, 1972
Berkeley Community Theater

Out of cold Dark Star space. Prankster jukes regardless this one serves itself well.
7
Black Peter
April 12, 1970
Fillmore West

Mellow and cool. This one follows one of those Dancin's that'll knock your teeth out. This peter cools off the flames. Ghostly coolness.
6
Turn On Your Love Light
March 24, 1970
Pirates World

This has it all. Pig on top, tight frantic lines, tension, build, and crowd back and forth. Serious sequence here starting with the High Time.
7
Eyes Of The World
Oct. 20, 1974
Winterland Arena

To think for a moment, this upon its completion, this Eyes, was to be the last ever. Think of the emotion, energy, power. One can only imagine.
10
Viola Lee Blues
March 20, 1970
Capitol Theater

Packs a hell of a punch. A later version, 70' but solos as it should.
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Comments

Scarlet Begonias
June 3, 1976
Paramount Theatre

A real solid version. Base-type, cut down, and simplified, still, funky and up-beat, bouncy, and clean, clean, clean.
It's All Over Now Baby Blue
April 17, 1982
Hartford Civic Center

"For all you folks up back there who've been watching the back of our heads" sez the band just as the song starts. Great vocal performance, a powerful version. Nice call, love the first post, welcome to the site Musicphotos.
The Other One
Dec. 29, 1968
Gulfstream Park Race Track

Explorations and voyages to the craters of time, dark mad primal energy. The origin of it all, creation, the apotheosis of psychedelic sweat-acid drenched ferocity. From Lesh to Jerry to Drums,a tenacious dark interplay is at work. Locked in jamming, an acid madhouse.
The Eleven
Dec. 29, 1968
Gulfstream Park Race Track

Liquid, dark raw free and flowing cascade of notes, ducking and skipping with loose ferocity and coherent imaginations, collectively interplaying to the rhythm of the times, pure fire and brimstone jamming. Metallic shimmering silver rimmed notes bouncing of one another, stringing together, freely separating and dispersing through the air-zone. Lesh with a mad tone, Garcia with an electrician's touch, rolling lightning bolts from the cloud's themselves. Dropping entire torrents of tsunami level flow, seguing into a Kreutzman and Hart tribal encore, only to continue the psychedelic acid bath.
Althea
Aug. 16, 1980
Mississippi River Festival

Strong, durable, concise, dexterous filling, interplay between Brent/Jerry/Phil/Bob is contagiously smokey and gripping. Good vocals, little flub in the beginning, but nothing major, a damn cool version, smooth as the Mississippi river on a warm August day.
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